I do believe that the discussion of hyphenated identities is important, and, whether it is acknowledged or not, most people have multiple influences that impact who they are.
I used to sit in the kitchen and draw when Jean visited my mother. I loved to show my completed drawings to Jean. She made me feel as if I’d discovered an elemental truth, or shown her something vital. Once, when I handed her a picture I’d done of a yellow lion with spindly legs and huge round eyes, she looked at it with consideration and said, “You know, it doesn’t look like a real lion. But I think you’ve caught the spirit of a lion here, and that’s a lot more important. This lion has lion-ness.”
Vu Tran’s story, “Vagaries,” first appeared in Michigan Quarterly Review’s Fall 2004 issue. The girl, when Chau first sees her, looks restless. She sits in the restaurant’s crowded patio under a table umbrella that shades her from the bright noon sun. One arm remains in
One of the most absolutely electric scenes in Susan Choi’s fifth novel Trust Exercise (Henry Holt and Co., 2019) takes place fairly early-on in the book. Sarah and David are sophomores at an elite performing arts high school. They’re fifteen, and the previous summer, they entered
Chidelia Edochie’s story, “The King of Hispaniola,” first appeared in Michigan Quarterly Review‘s Winter 2012 issue. I spent that Christmas Eve with my schoolmate Bibi and her parents at the National Palace, comparing the sizes of presents and our thirteen-year-old breasts with the other