Film – Page 9 – Michigan Quarterly Review

Film

Disgusting Animal Things

* Kristie Kachler *

“Do shrimps make good mothers? Yes, they do.” This is such a weird line. It feels like the turn in a sonnet that isn’t a sonnet, more specifically known as Denise Riley’s “A Misremembered Lyric.” After some very human and fretful missing/not-missing of a thing, this line comes as a complete interruption, a pause and pivot in the work of losing and forgetting and their opposites. I don’t want to work out a reading of the poem here, to worry the line and test what it’s doing. For this post, I just want to point out that a quick Facebook message to a marine biologist who almost wrote a dissertation on shrimp sociality will reveal that “there are thousands(!) of shrimp species, and each have evolved varying degrees of parental care. This can range from laying eggs and moving on with life, to living in a multigenerational colony.” So, now we deduce that if “shrimps” make good mothers then all species must make good mothers insofar as they survive?

Disgusting Animal Things Read More »

* Kristie Kachler *

“Do shrimps make good mothers? Yes, they do.” This is such a weird line. It feels like the turn in a sonnet that isn’t a sonnet, more specifically known as Denise Riley’s “A Misremembered Lyric.” After some very human and fretful missing/not-missing of a thing, this line comes as a complete interruption, a pause and pivot in the work of losing and forgetting and their opposites. I don’t want to work out a reading of the poem here, to worry the line and test what it’s doing. For this post, I just want to point out that a quick Facebook message to a marine biologist who almost wrote a dissertation on shrimp sociality will reveal that “there are thousands(!) of shrimp species, and each have evolved varying degrees of parental care. This can range from laying eggs and moving on with life, to living in a multigenerational colony.” So, now we deduce that if “shrimps” make good mothers then all species must make good mothers insofar as they survive?

Still, Rise and Fall

Transcending Beauty: Fiona Tan’s “Rise and Fall” and Terrence Malick’s “To the Wonder”

One afternoon last week, on vacation in British Columbia with my family, my boyfriend and I slipped away from the boozing and card playing for a quick visit to the Vancouver Art Gallery. We arrived at the museum shortly before closing and walked into the first gallery we saw, a small dark room where we found Fiona Tan’s 21-minute, two-channel video installation Rise and Fall (2009). I loved it.

Transcending Beauty: Fiona Tan’s “Rise and Fall” and Terrence Malick’s “To the Wonder” Read More »

One afternoon last week, on vacation in British Columbia with my family, my boyfriend and I slipped away from the boozing and card playing for a quick visit to the Vancouver Art Gallery. We arrived at the museum shortly before closing and walked into the first gallery we saw, a small dark room where we found Fiona Tan’s 21-minute, two-channel video installation Rise and Fall (2009). I loved it.

Béla Tarr’s “Sátántangó”

* Eric McDowell *

What can you do in eight hours? Work a full day’s work or log a solid night’s sleep. Run 60 eight-minute miles—that’s over two marathons—or microwave 240 Hot Pockets. Or watch Sátántangó .

Béla Tarr’s “Sátántangó” Read More »

* Eric McDowell *

What can you do in eight hours? Work a full day’s work or log a solid night’s sleep. Run 60 eight-minute miles—that’s over two marathons—or microwave 240 Hot Pockets. Or watch Sátántangó .

The Speed of Nature: Ben Rivers’ Two Years at Sea

by Nicholas Johnson

Ben Rivers’ Two Years at Sea is a portrait of Jake, a man who lives a lone subsistence lifestyle in the wilds of Scotland. Rivers’ film is a silent plotless meditation on life at a different pace and begs of the cinema goer a different kind of attention. A piece of contemporary romanticism, filmed on old equipment, removed from society, almost anthropological in its depiction of a human who moves at the speed of nature.

The Speed of Nature: Ben Rivers’ Two Years at Sea Read More »

by Nicholas Johnson

Ben Rivers’ Two Years at Sea is a portrait of Jake, a man who lives a lone subsistence lifestyle in the wilds of Scotland. Rivers’ film is a silent plotless meditation on life at a different pace and begs of the cinema goer a different kind of attention. A piece of contemporary romanticism, filmed on old equipment, removed from society, almost anthropological in its depiction of a human who moves at the speed of nature.

The Ideal Screen Type

by Gina Balibrera

In 1928, Hollywood film studio artists drew “the ideal screen type.” An amalgamation of the famous disembodied parts of Hollywood stars, the ideal screen type was doe-eyed and fair, holding her willowy arms at a coy akimbo. Beside the artists’ illustration of the composite ideal appeared the remarkable photographic image of the composite ideal’s real-life double: silent film star Anita Page. Born Anita Pomares, in Flushing, Queens, Salvadoran-American silent film star Anita Page possessed a beauty that was uncannily familiar: the eyes of Mary Pickford, the smooth white arms of Clara Bow, and the wasp waist of Bebe Daniels. Had the camera trained its lens more closely upon Anita’s exquisite nose, this shot would have recorded her beautifully-full Latina nose as well.

The Ideal Screen Type Read More »

by Gina Balibrera

In 1928, Hollywood film studio artists drew “the ideal screen type.” An amalgamation of the famous disembodied parts of Hollywood stars, the ideal screen type was doe-eyed and fair, holding her willowy arms at a coy akimbo. Beside the artists’ illustration of the composite ideal appeared the remarkable photographic image of the composite ideal’s real-life double: silent film star Anita Page. Born Anita Pomares, in Flushing, Queens, Salvadoran-American silent film star Anita Page possessed a beauty that was uncannily familiar: the eyes of Mary Pickford, the smooth white arms of Clara Bow, and the wasp waist of Bebe Daniels. Had the camera trained its lens more closely upon Anita’s exquisite nose, this shot would have recorded her beautifully-full Latina nose as well.

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