MQR 43:2 – Michigan Quarterly Review

MQR 43:2

“Hemingway’s Humor,” by Jeffrey Meyers

Hemingway’s fame rests on his tragic romances of love and death; his evocative stories crafted in spare prose; his vivid war reporting and travel books. He was not a comic writer, and when he tried to be funny he could be heavy-handed, as in his parody The Torrents of Spring, or embarrassingly arch, as in the tedious conversations with the Old Lady in the otherwise fascinating Death in the Afternoon. Yet his most underrated quality was his lively sense of humor.

“Hemingway’s Humor,” by Jeffrey Meyers Read More »

Hemingway’s fame rests on his tragic romances of love and death; his evocative stories crafted in spare prose; his vivid war reporting and travel books. He was not a comic writer, and when he tried to be funny he could be heavy-handed, as in his parody The Torrents of Spring, or embarrassingly arch, as in the tedious conversations with the Old Lady in the otherwise fascinating Death in the Afternoon. Yet his most underrated quality was his lively sense of humor.

Spring 2004

Essays by Stacey Harwood, Frederick Busch, Jeffrey Meyers, Antoine de Tarlé, Anna Mollow, and Olga Grushin.

Fiction by Rebecca Meacham and David H. Lynn.

Poetry by Thylias Moss, Andrew Feld, Victoria Chang, Billy Collins, and Vicki Hearne.

Spring 2004 Read More »

Essays by Stacey Harwood, Frederick Busch, Jeffrey Meyers, Antoine de Tarlé, Anna Mollow, and Olga Grushin.

Fiction by Rebecca Meacham and David H. Lynn.

Poetry by Thylias Moss, Andrew Feld, Victoria Chang, Billy Collins, and Vicki Hearne.

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