MQR60 – Michigan Quarterly Review

MQR60

MQR Issue 60:3, Summer 2021

Announcing the release of MQR 60:3, Our Summer Fiction Issue Cover art by Eduardo Paolozzi, courtesy of UMMA and Diane Kirkpatrick Table of Contents Foreword Polly Rosenwaike: Closer Fiction Farah Ali: Beautiful Felipe Bomeny: Tubarão Dounia Choukri: Black Bread Ye Chun: Anchor Baby Susan Muaddi Darraj: Behind You is the Sea Ru Freeman: Retaining Walls […]

MQR Issue 60:3, Summer 2021 Read More »

Announcing the release of MQR 60:3, Our Summer Fiction Issue Cover art by Eduardo Paolozzi, courtesy of UMMA and Diane Kirkpatrick Table of Contents Foreword Polly Rosenwaike: Closer Fiction Farah Ali: Beautiful Felipe Bomeny: Tubarão Dounia Choukri: Black Bread Ye Chun: Anchor Baby Susan Muaddi Darraj: Behind You is the Sea Ru Freeman: Retaining Walls

Empty Dark Road with MQR60 Logo

My Windshield Saga (Version 8 Because Every Time I Write A Draft the Damage is Worse Than the Estimate)

Hit play below to hear Johnna St Cyr read her poem “My Windshield Saga (Version 8 Because Every Time I Write A Draft the Damage is Worse Than the Estimate)”  and scroll down for the full text. “My Windshield Saga (Version 8 Because Every Time I Write A Draft the Damage is Worse Than the Estimate)” is featured

My Windshield Saga (Version 8 Because Every Time I Write A Draft the Damage is Worse Than the Estimate) Read More »

Hit play below to hear Johnna St Cyr read her poem “My Windshield Saga (Version 8 Because Every Time I Write A Draft the Damage is Worse Than the Estimate)”  and scroll down for the full text. “My Windshield Saga (Version 8 Because Every Time I Write A Draft the Damage is Worse Than the Estimate)” is featured

Landscape Artwork with MQR60 Logo

Couplets by Ghalib

But we could never escape the weight of those final weeks in Dhaka, what we had lost and what we had faced. We couldn’t forget my father’s blank expression before he left our flat for the last time, in search of supplies the day the war ended, nor the barbaric shrieks and shots that resounded through the window during the riot that ensued. We couldn’t forget the dark and bloated bodies on the road, or my own mother’s choking sobs, screaming my father’s name as we searched. In Calcutta, these memories enveloped us with tension as tangible as the white cloth we had placed over our father, after we found him a few streets from our building, already smelling of rot. Now, as I slashed Faisal’s ping-pong paddle like a boy, I felt this shroud beginning to unravel.

Couplets by Ghalib Read More »

But we could never escape the weight of those final weeks in Dhaka, what we had lost and what we had faced. We couldn’t forget my father’s blank expression before he left our flat for the last time, in search of supplies the day the war ended, nor the barbaric shrieks and shots that resounded through the window during the riot that ensued. We couldn’t forget the dark and bloated bodies on the road, or my own mother’s choking sobs, screaming my father’s name as we searched. In Calcutta, these memories enveloped us with tension as tangible as the white cloth we had placed over our father, after we found him a few streets from our building, already smelling of rot. Now, as I slashed Faisal’s ping-pong paddle like a boy, I felt this shroud beginning to unravel.

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