NYC – Michigan Quarterly Review

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Inter-poetics: An Interview with Francesca Capone

“There are often regulations of this sort for mechanical looms, as repeating yardage is an important economical component of the textile industry. But don’t those regulations sound like a writing prompt to you? It certainly did to me. The loom demands particular metrics, which one could also see applying to poetic form. Opportunities for the inter-poetics of writing and weaving have continued to reveal themselves so long as I’ve continued to seek them out.”

Inter-poetics: An Interview with Francesca Capone Read More »

“There are often regulations of this sort for mechanical looms, as repeating yardage is an important economical component of the textile industry. But don’t those regulations sound like a writing prompt to you? It certainly did to me. The loom demands particular metrics, which one could also see applying to poetic form. Opportunities for the inter-poetics of writing and weaving have continued to reveal themselves so long as I’ve continued to seek them out.”

Operatic Magic: R.B Schlather’s Alcina at Whitebox Art Center

* Elizabeth Schmuhl *

At the end of September, I was invited to attend a performance of R.B. Schlather’s direction of George Frideric Handels’s 1735 baroque opera Alcina at Whitebox Art Center in New York City. What I saw was mesmerizing.

Operatic Magic: R.B Schlather’s Alcina at Whitebox Art Center Read More »

* Elizabeth Schmuhl *

At the end of September, I was invited to attend a performance of R.B. Schlather’s direction of George Frideric Handels’s 1735 baroque opera Alcina at Whitebox Art Center in New York City. What I saw was mesmerizing.

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