“I generally work because I am struck by something that someone has said. Playwriting is an oral art; it’s not an art of a writer expecting to be read but a writer expecting to be heard. And so I think that if I hear a character speaking, either one I’ve invented or one I’ve confronted, it starts a process of creating which I can’t control or even describe properly. If I could describe it I probably wouldn’t do it.”
This special issue pays tribute to a University of Michigan alumnus. In advance of the 50th anniversary (in February of 1999) of his most famous play, Death of a Salesman, this 300+ page issue illuminates Miller’s life and work from a variety of perspectives.