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Reading

The Poetics of Reverie

* Claire Skinner *

But who actually daydreams? If you’re anything like me, you might feel the anxious urge to constantly be doing something. A day of commuting, meetings, emailing, and running errands feels productive. I’m tired after it. I can reassure myself that I’ve done something, that I’m worthy of waking again tomorrow. To lounge around on the sofa, drifting in and out of naps, gazing at a white rose blooming outside the window feels slothful, lazy, and (shall I say it?) frightening. It’s as if I’m asking the God of Free Market Economics to throw a lightning bolt at my daydreaming head. I’m frightened because if I give myself over to reverie, it may mean that I’ve accomplished nothing, that I’ve gotten nowhere, that I’m still me, same as yesterday, same as tomorrow: flawed, bad at math.

The Poetics of Reverie Read More »

* Claire Skinner *

But who actually daydreams? If you’re anything like me, you might feel the anxious urge to constantly be doing something. A day of commuting, meetings, emailing, and running errands feels productive. I’m tired after it. I can reassure myself that I’ve done something, that I’m worthy of waking again tomorrow. To lounge around on the sofa, drifting in and out of naps, gazing at a white rose blooming outside the window feels slothful, lazy, and (shall I say it?) frightening. It’s as if I’m asking the God of Free Market Economics to throw a lightning bolt at my daydreaming head. I’m frightened because if I give myself over to reverie, it may mean that I’ve accomplished nothing, that I’ve gotten nowhere, that I’m still me, same as yesterday, same as tomorrow: flawed, bad at math.

Some Thoughts on Short Story Endings

by Nathan Go

Crafting good endings, like good openings, is among the most difficult feats to attain in a short story. So much pressure lies in its mastery – where a solid or tepid opening could mean the difference between having a work read or not read beyond the first page, a satisfying or lackluster ending often decides whether the piece gets published or not. The final paragraph of a story is usually what readers take away from the entire experience, as it is the last thing they get to process, and thus, the last thing they’re likely to remember.

Apart from the exhortations that a story needs to tie up all loose ends and bring closure to the readers, discussing what constitutes a good ending frequently devolves into the famous pronouncement in the concurring opinion of Jacobellis v. Ohio: “I know it when I see it.” As is the case with establishing aesthetic rules in writing, generalizations usually don’t work. In fact, what may sound like an effective closing to one reader might just be totally underwhelming to another. With those caveats in mind, the next best thing is to present case studies of endings that I think work (at least for me) within the context of those particular stories.

Some Thoughts on Short Story Endings Read More »

by Nathan Go

Crafting good endings, like good openings, is among the most difficult feats to attain in a short story. So much pressure lies in its mastery – where a solid or tepid opening could mean the difference between having a work read or not read beyond the first page, a satisfying or lackluster ending often decides whether the piece gets published or not. The final paragraph of a story is usually what readers take away from the entire experience, as it is the last thing they get to process, and thus, the last thing they’re likely to remember.

Apart from the exhortations that a story needs to tie up all loose ends and bring closure to the readers, discussing what constitutes a good ending frequently devolves into the famous pronouncement in the concurring opinion of Jacobellis v. Ohio: “I know it when I see it.” As is the case with establishing aesthetic rules in writing, generalizations usually don’t work. In fact, what may sound like an effective closing to one reader might just be totally underwhelming to another. With those caveats in mind, the next best thing is to present case studies of endings that I think work (at least for me) within the context of those particular stories.

Another Summer Reading List

by A.L. Major

It’s that time of year again: SUMMER. For students, or recently graduates like myself, summer brings with it a freedom that seems limitless. Faced with so much time to do what I like, I always make a list of what I’d love to read. For those employed year-round, summer doesn’t necessarily evoke anymore those long stretches of free, unscheduled time, but I put forth this reading list in the hopes that whether you’re lounging on a beach, stuck in an office from 9-5 or doing some combination of both, you’ll give yourself time to read a w0rk that is truly lovely and inspiring. Nathan Go already started off his summer reading list with suggested works by Filipino and Filipino-American authors. Similar to my summer reading list last year, I’m going to keep my list eclectic and globally diverse. There are some some books I’ve read, some books I look forward to reading and some that have been adapted into films–for those, like myself, who love reading books and watching films and noticing, sometimes irritatingly, the differences between two versions of the same story.

Another Summer Reading List Read More »

by A.L. Major

It’s that time of year again: SUMMER. For students, or recently graduates like myself, summer brings with it a freedom that seems limitless. Faced with so much time to do what I like, I always make a list of what I’d love to read. For those employed year-round, summer doesn’t necessarily evoke anymore those long stretches of free, unscheduled time, but I put forth this reading list in the hopes that whether you’re lounging on a beach, stuck in an office from 9-5 or doing some combination of both, you’ll give yourself time to read a w0rk that is truly lovely and inspiring. Nathan Go already started off his summer reading list with suggested works by Filipino and Filipino-American authors. Similar to my summer reading list last year, I’m going to keep my list eclectic and globally diverse. There are some some books I’ve read, some books I look forward to reading and some that have been adapted into films–for those, like myself, who love reading books and watching films and noticing, sometimes irritatingly, the differences between two versions of the same story.

Nonfiction Notebooks

The Atlantic’s dark salty crests, the screaming children, my first cold plunge, altered my studious mood like a tonic, cleared the must from my head, and refreshed my subway-sticky skin. Here, I had arrived in a new corner of the world, loud and fresh, jolting me from my library solitude.

Nonfiction Notebooks Read More »

The Atlantic’s dark salty crests, the screaming children, my first cold plunge, altered my studious mood like a tonic, cleared the must from my head, and refreshed my subway-sticky skin. Here, I had arrived in a new corner of the world, loud and fresh, jolting me from my library solitude.

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