remix – Michigan Quarterly Review

remix

On Riding SideSaddle*: An Interview with Eric Suzanne

“I’m more interested in challenging the broad belief that genre/form categories are solid or important. I consider this the first lesson of art history: there is no platonic form. No novel, or poem, or play (or woman, or white person, if we branch out of the arts). These categories exist as cultural reference points for better and worse, but the fences are arbitrary and constantly shifting.”

On Riding SideSaddle*: An Interview with Eric Suzanne Read More »

“I’m more interested in challenging the broad belief that genre/form categories are solid or important. I consider this the first lesson of art history: there is no platonic form. No novel, or poem, or play (or woman, or white person, if we branch out of the arts). These categories exist as cultural reference points for better and worse, but the fences are arbitrary and constantly shifting.”

An Aggregated Equality

by Greg Schutz

Thomas Jefferson, remix artist? Well, yes. Fragmentation and recombination are natural features—and unavoidable consequences—of language use, and the Declaration of Independence is a remarkable remix of ideas, a crosshatch of interconnected and often competing influences. What might an investigation of the Declaration tell us about the internet, Reality Hunger, and collage as a literary form?

An Aggregated Equality Read More »

by Greg Schutz

Thomas Jefferson, remix artist? Well, yes. Fragmentation and recombination are natural features—and unavoidable consequences—of language use, and the Declaration of Independence is a remarkable remix of ideas, a crosshatch of interconnected and often competing influences. What might an investigation of the Declaration tell us about the internet, Reality Hunger, and collage as a literary form?

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