Special Issue – Page 7 – Michigan Quarterly Review

Special Issue

“Alba for Donatila,” by Virgil Suárez

In her clapboard house with hard-packed dirt floors.
In this place of ghostly waking, my grandmother
rises from dark slumber, already dressed, her hair
combed over each ear, held by minnow silver

“Alba for Donatila,” by Virgil Suárez Read More »

In her clapboard house with hard-packed dirt floors.
In this place of ghostly waking, my grandmother
rises from dark slumber, already dressed, her hair
combed over each ear, held by minnow silver

“Primal Postcards: ‘Madeline’ as a Secret Space of Ludwig Bemelmans’s Childhood,” by Mary Galbraith

One or more pictures stand out as the book’s primal raison d’etre; that is, there is at least one picture which activates a “flashbulb memory” from the creator’s childhood and which the story explains in an ambiguous way. The manifest storybook explanation for this primal scene is benign and reassuring while the latent and historical interpretation is traumatic and unbearable.

“Primal Postcards: ‘Madeline’ as a Secret Space of Ludwig Bemelmans’s Childhood,” by Mary Galbraith Read More »

One or more pictures stand out as the book’s primal raison d’etre; that is, there is at least one picture which activates a “flashbulb memory” from the creator’s childhood and which the story explains in an ambiguous way. The manifest storybook explanation for this primal scene is benign and reassuring while the latent and historical interpretation is traumatic and unbearable.

Returning to Greece

Why our continuing attraction to Greece? There is something in that small country out there on the edge of Europe that doesn’t feel like the rest of the continent. Part of the attraction is certainly to the very different modern history, and to a landscape shaped by human use yet still oddly wild.

Returning to Greece Read More »

Why our continuing attraction to Greece? There is something in that small country out there on the edge of Europe that doesn’t feel like the rest of the continent. Part of the attraction is certainly to the very different modern history, and to a landscape shaped by human use yet still oddly wild.

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