Come A Little Bit Closer Now Baby: Thomas Hardy’s “Neutral Tones”
In early winter, the grass in North America still retains a cast of its autumn green, but after a few nights of deep freeze have killed the last of the ticks and fleas, the green turns greenish-grey. It’s then I begin remembering Thomas Hardy’s moving, highly-compressed and resonant sixteen-liner, “Neutral Tones.”
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By Gray Jacobik
In early winter, the grass in North America still retains a cast of its autumn green, but after a few nights of deep freeze have killed the last of the ticks and fleas, the green turns greenish-grey. It’s then I begin remembering Thomas Hardy’s moving, highly-compressed and resonant sixteen-liner, “Neutral Tones.”
