Can We Trust the Gut?

A deliveryman for Via Lactea, dairy products company organized by Nelson Rockefeller's VBEC, brings the day's pasteurized milk to Santa Rosa de Agua, a village built on stilts on the shores of Lake Maracaibo, VE. Photos from the archive of the International Basic Economy Corporation.

Alice Yao explores the “uncomfortable middle” in the study of lactose intolerance, race, and biomedicine.

Published

Voices for Palestine in Egyptian Protest History

"Ain Shams University student demonstration in Ramses Street, demanding the release of all detainees" from Al-Ahram, 25 January 1972, p. 1.

Reem Abou-El-Fadl describes the conditions that made oral history necessary, and revelatory, in her research with student activists in Egypt.

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Between Discipline and Wonder: On Writing the Unseen into Islamic History

Cover of ʿAlam al-Ruh (The World of the Spirit) (1947–1960), Cairo, March 1958. Owner and responsible editor: Ahmad Fahmi Abu al-Khayr. From the collections of the University of Pennsylvania Libraries; photograph by the author.

Arthur S. Zárate contemplates the role of wonder in writing history.

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The Present is a Foreign Country

Basset, André, Vue des Magasins de la Compagnie des Indes à Pontichery, de l'Amiraute et de la Maison du Gouverneur, [Vers 1750-1785]. Cariatide, bibliothèque numérique de l'INHA, NUM VO Ori 12.

Renaud Morieux shares how he understands the relationship of the past to the present, and how this understanding shapes the way he analyzes colonial lists, archives, and categories as dynamic and always in-the-making.

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Conceptual Mitosis

The green bag, filled with corruption! Print made by J Lewis Marks, 1817. Wikimedia.

Marco Garrido describes a revelatory act of organization.

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Runways and Relations

Carla Jones analyzes the public catwalk as a platform for political communication in Indonesia.

Published

Decay as Care: Companioning Things through Death

Garden of Death by Hugo Simberg. A photograph of the original watercolor painting. Public Domain.

Marisa Karyl Franz shares how she became attuned to decay, rot, and ruin, subjects of her recent CSSH essay.

Published