Author Archives: Constantinos Demetral

About Constantinos Demetral

Recent Modern Greek and Archaeology graduate from the University of Michigan.

Burnham House

Nathan Burnham House. Source: aadl.org.

Nathan Burnham House. Source: aadl.org.

Built in 1837, this Greek revival house is noteworthy not only for its architecture but also for its intriguing history. For over 160 years, the home built by Nathan Burnham, was located near the Huron River, although its address did change from 947 Wall Street to 940 Maiden Lane in 1969. Then in 1995, the University of Michigan wanted to build additional parking on Wall Street for the medical center across the street and purchased the Burnham lot. Sadly, at that point, most of the historic homes on the street had already been razed and the Burnham house had only been listed one year before (Covitt 2001: 30). The University had a history purchasing historic homes and then demolishing them regardless if they were historically listed and culturally significant (Covett ibid.) and for that reason it was likely to be torn down. However, after petitioning by several Ann Arbor preservationists it was removed from its foundation, transported to the Arboretum, and saved from demolition! Currently, it is an educational center for urban environmentalism.

Here’s the curious bit. Oddly, it now sits on land that is leased from the Forest Hills Cemetery. So, it is also privately owned, even though the building itself and much of the surrounding land is the University of Michigan’s. Additionally, the house’s age (the building was never previously affiliated with the University) actually makes it older than the President’s House, and thus the oldest University building.

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Thomas Jefferson’s Greek Names for Michigan

In the five years following the American Revolution in the 1783, the United States was very busy organizing itself as a new nation. One task that it was concerned with was the nationalization of the Northwest Territory, which was claimed by several states (perrycountyindiana.org). Virginia, Connecticut, Massachusetts, North and South Carolina, and Georgia all had laid claim to the territory south of Canada, north of the Ohio River, east of the Mississippi River, and west of the Appalachian mountains. Although all the states didn’t cede their claims at first, the Northwest Territory still needed to be divided and named so it could be properly settled and that government could eventually be established. In late 1783, Thomas Jefferson was appointed to head a three man commission in order to deal with this matter (geo.msu.edu). Jefferson’s 1784 proposal provided names and boundaries for 10 states (see map 2), including the Greek names Chersonesus (peninsula) and Metropotamia (mother of rivers) for parts of Michigan and Polypotamia (many rivers) for an area in what is now southern Illinois (geo.msu.edu). His plan was approved by congress in the Land Ordinance of 1785, but two years later Jefferson was over ruled and the US government decided to divided the Northwest Territory into no more than five states (geo.msu.edu). Starting in 1803, with Ohio, the territory’s states gradually were adopted into the Union receiving their current names (see maps 3 and 4).

In 1805 the territory of Michigan (derived from the Native American Indian word “michigama” (statesymbolsusa.org)) was established and in 1837 Michigan became a state.  Jefferson’s classically derived named were dismissed, but the state names Illinoia and Michigania were in fact kept so we do owe him a great deal. Although his proposal did not last long, it is still important to note, perhaps surprisingly, that Michigan does have Greek origins. Michigan’s Greek connections may not always be easily spotted, but they can be found in many more places than one might think.

Map of the Mediterranean at Mediterrano

For over 20 years, this mural of the Mediterranean has overlooked Mediterrano’s main dinning area. The mural shows Odysseus’ nautical travels after the Trojan War in ancient times which span the entire Mediterranean Sea, including two continents. Fittingly, Odysseus’ routes also reflect how Mediterrano blends the food from many different cultures in order to demonstrate and share the richness of the Mediterranean diet with its customers.

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Mural of Ancient Bacchanal at Gratzi

Mural of ancient bacchanal at Gratzi.

Mural of ancient bacchanal at Gratzi.

Founded in 1987, Gratzi is an upscale Italian restaurant that is Greek owned and features a large mural as well as balcony seating. Painted by a man from Chicago when the restaurant opened, his name was forgotten through the years, but his mural lives on adding to Gratzi’s indulgent and pleasurable atmosphere. This Renaissance-style mural depicts an ancient bacchanal (gratzirestaurant.com) where men, women, satyrs, and in this case, Dionysus as well, took part in drinking wine, listening to music, dancing, and orgies. These events were called bacchanalia or Dionysia (britannica.com) and celebrated Dionysus, the Greek god of wine and ecstasy. Overall, in the festivals, which had some ritual components, participants indulged in all things to the point of excess.

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“Athens of the Midwest”

The idea of Ann Arbor as the “Athens of the Midwest” emerged at least as early as the 1850s, if not earlier, with the move of the University from Detroit in 1837.

Henry P. Tappan, Professor of Philosophy and first President of the University of Michigan (1852-1863), envisioned a great university that would make Ann Arbor “a new Athens.” He was very important to the University of Michigan in its early years as he was determined to create a university where professors did original research, used lectures to teach, and trained graduate students (Marwil 1991: 28). He was a very authoritative figure and instilled a new purpose into the institution, its faculty, and students. In his inaugural address he stated that “there is no question of the classics” and that a new Athens shall arise with its schools of Philosophy and Art, and its Acropolis crowned with another Parthenon, more glorious than that of old” (lib.umich.edu).

He may have been influenced by descriptions, first of Philadelphia (1790s-1800s) and later of Boston (1820s-40s), as the “Athens of America.” He must have been certainly influenced by the well-known association of the University since its creation (1817) with Greek wisdom and learning.

In 1852, the year President Tappan delivered his inaugural address which concluded with the impassioned call for “a new Athens,” he also published a study which discussed various European countries in a search for the ideal city. His view of Athens further explains why he wanted to model Ann Arbor on the ancient city: “If we are to gather ideas from any, let us rather go back to democratic Athens, where the spirit of a free people breathed through forms of art so cheerful and beautiful that even now, when we gaze upon the ruins, we gain inspirations that make our free hearts leap within us” (Tappan A 1852a: 59). Tappan believed in the value of an classical education and sought to re-create an educational environment similar to Classical Athens, where many great intellectuals lived and spread their teachings to those who would listen. Additionally, by creating a new and improved Parthenon he wanted to make the University of Michigan a school that was the best of the best and model for others to follow:

“The city of Athens—the city itself was the home of every Athenian. The city was his pride and glory. And why was it? Because, there was the Acropolis with its temples, and the whole city was adorned by the hands of its artists. There was the grove of Academus. There was its theatre—not like our theatres, places for the exhibition of buffooneries and farces, but a vast place, open to the heavens, where the whole population assembled to hear the compositions of Aeschylus, Euripides and Sophocles. There was the Areopagus. There were the assemblies of the people where Aeschines and Demosthenes reasoned and thundered—in no barbaric vulgar style—but in pure classic Greek, with cultivated oratory, before a people who were competent judges of eloquence and grace. Athens had commerce and arms, merchants and heroes; but it was philosophy, poetry, eloquence and art which so polished and enriched it, and invested it with such splendid attractions and dear associations, that it was the only home in the wide world that an Athenian could find” (Tappan A 1852a: 209).

Randolph Rogers

Randolph Rogers (1825-1892) was born in Seneca, New York and was eight years old when his family moved to Michigan (his family’s home still stands at the corner of N. Division and E. Ann), where he spent 10 years working various jobs (oldnews.aadl.org). He worked at a bakery, flour mill, and made several advertisements for the Ann Arbor newspaper called the Argus (oldnews.aadl.org). Later, he was hired at a dry goods store in New York where he worked from 1842 to 1848. During his years there his incredible talent was noticed by the store owners and to his good, they fortune funded his expenses to go to Florence (oldnews.aadl.org). After studying at the fine arts academy there, he went on to work in Rome where he became a very successful sculptor (oldnews.aadl.org). He remained in Rome for the rest of his adult life except when he visited the U.S. for business (collections.lacma.org). He was commissioned in several different states, including work on the doors of the capital building in D.C (aoc.gov). After his stroke in 1882 he donated all of his papers and casts from his studio in Rome to the University of Michigan . Currently, Nydia, the blind girl is on display at the University of Michigan Art Museum (four other works are in storage). The rest of his donated worked were lost due the high humidity in basement storages beneath university hall (see the First University Library) (public-art.umich.edu).

Since he was an eminent 19th century artist, he made many copies of his sculptures and for example, on the first floor of the Metropolitan Museum of Art in NYC, near other 19th century American works if note, there is a Randolph Rogers Nydia like the one at the UMMA.

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Little Carpenter House

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Little Carpenter House. Although not located in Ann Arbor, it is an illustrative example of a Greek Revival residence.

This unique two-story Greek Revival house that is faced with clapboard has a recessed porch with a central entryway and square columns. It is surprising to see that even people with modest means in the 19th century designed their homes using Greek models. Homes like these speak to the range of Greek Revival architecture and reinforce that during the mid 19th century it was the national style and that many people were inspired by the Greeks at the time.

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Island Park Shelter

Island Park Shelter. Source: a2gov.org.

Island Park Shelter. Source: a2gov.org.

Built in 1905 by John Koch, the stucco shelter features slim Ionic columns in its semi-circular portico, a dentiled cornice, classical pilasters, and decorative trim all fitting within in the classical revival style (Wineberg 2014: 35). Located on the Huron river Island Park has a “Greek Revival shelter, play area, picnic tables and grills, benches, paths through the Island, and a connection to Fuller Park” (a2gov.org). The picturesque riverside shelter is often rented out for events and is a popular location for photos, particularly high school senior portraits.

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West Park

West park was created in 1908 by the City Parks Commission but it wasn’t until 1927 that the gateway was built (Wineberg 2014: 61). The gateway consists of four Doric columns and two trellises where wisteria is draped to give shade visitors. The park has bandshell for outdoor concerts, basketball and tennis courts, volleyball posts, a baseball diamond, spray fountain, playground, picnic tables as well as a walking trail.

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Kempf House

East side. Source: aadl.org.

Kempf House, east side. Source: aadl.org.

Similar to the William Anderson House at 2301 Packard, the Kempf house is a pure temple style Greek Revival home with square columns that has decorative window grilles in the frieze section in the entablature. Thought to have been designed by Arden Ballard of Ypsilanti, the Kempf house was built in 1853 for Henry DeWitt Bennett (Wineberg 2014: 83). Reuben and Pauline Kempf bought the home in 1890 and both pursued musical careers in Ann Arbor (Shackman 1990). Reuben was a musician and teacher and Pauline gave voice lessons from the home and were both very active musically within the commnity (Wineberg ibid). After Pauline’s death in 1953 their neighbors (the Parkers) bought their home and in 1969 sold to the city and now it is a museum (Wineberg ibid.). The Kempf-House museum preserves and displays the house as it was in 1890s and overall highlights its musical and cultural importance in Ann Arbor’s history.

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