The last year and a half, since Trump’s poorly attended inauguration, has been anything but quiet; the apocryphal “may you live in interesting times” applies. It’s been hard to keep up! A lot has happened, especially on Twitter! How is one to make sense of the lunacy? Perhaps the Iliad can help.
“Idiophone is a dance between Fusselman and her reader; Fusselman is always fully leading, sometimes at a stately pace, but most often at one that is allegro, even allegro vivace.”
The Iraqi poet Dunya Mikhail’s new book of nonfiction, “The Beekeeper: Rescuing the Stolen Women of Iraq,” tells one aspect of this story: the kidnapping and enslavement of Yazidi women by Daesh. More specifically, The Beekeeper is about one man’s efforts to rescue these women through a network that he set up himself.
“The Land Between Two Rivers” calls to mind James Agee’s “Let Us Now Praise Famous Men” in that both books were written by “amateurs”—both Sleigh and Agee are/were first and foremost literary writers, yet their books are works of journalism.
One might argue that blackface performances of the thirties and forties (and earlier) are so far in the past and such a product of their time as to be beyond judgment, but I’d disagree. I’d rather assessments of artists be made with knowledge of their warts and all.