Laura Glen Louis – Michigan Quarterly Review

Laura Glen Louis

“Blissfully Unaware of Threat: On Reading Bernstein’s Chichester Psalms,” by Laura Glen Louis

When you sing in community, and every singer is dead in the center of the pitch, a hole opens up that everyone can pass through. On the other side is no magical land, no lush gardens, no brilliant light, but there is a palpable sense of other space that is resonance.

“Blissfully Unaware of Threat: On Reading Bernstein’s Chichester Psalms,” by Laura Glen Louis Read More »

When you sing in community, and every singer is dead in the center of the pitch, a hole opens up that everyone can pass through. On the other side is no magical land, no lush gardens, no brilliant light, but there is a palpable sense of other space that is resonance.

A Man and an Epigram Walk Into a Bar: A Review of Thomas Farber’s “The End of My Wits”

“Sex: what puts you in contact with people you might otherwise never know.”

“False modesty: the writer enraged Toni Morrison’s won the Nobel Prize, but unable to come up with the name of someone he’d prefer.”

A Man and an Epigram Walk Into a Bar: A Review of Thomas Farber’s “The End of My Wits” Read More »

“Sex: what puts you in contact with people you might otherwise never know.”

“False modesty: the writer enraged Toni Morrison’s won the Nobel Prize, but unable to come up with the name of someone he’d prefer.”

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