Book Reviews – Page 16 – Michigan Quarterly Review

Book Reviews

Emmanuel Bove Old Photograph

“An Anatomy of Loneliness:” A Review of Emmanuel Bove’s My Friends

“I should be so considerate of anyone who showed me friendship,” he says early in the novel. “All their wishes should be mine. I should follow them everywhere, like a dog.” Then he adds, with less than dog-like humility: “I am endlessly kind. But the people I have known have never appreciated this fact.”

“An Anatomy of Loneliness:” A Review of Emmanuel Bove’s My Friends Read More »

“I should be so considerate of anyone who showed me friendship,” he says early in the novel. “All their wishes should be mine. I should follow them everywhere, like a dog.” Then he adds, with less than dog-like humility: “I am endlessly kind. But the people I have known have never appreciated this fact.”

Carolyn Wright in her 1860 schoolhouse home in Barrington, R.I.

Documents and Trees: A Review of C. D. Wright’s Casting Deep Shade: An Amble Inscribed to Beech Trees & Co.

Perhaps it was that sense of loss that sent her out searching for different kinds of beech trees, that sent her rooting around in the old books collecting lore and the attempts at early science, that forced her to learn everything she could about these trees.

Documents and Trees: A Review of C. D. Wright’s Casting Deep Shade: An Amble Inscribed to Beech Trees & Co. Read More »

Perhaps it was that sense of loss that sent her out searching for different kinds of beech trees, that sent her rooting around in the old books collecting lore and the attempts at early science, that forced her to learn everything she could about these trees.

Rows of people wearing red and white on Singapore National Day Parade

The Besieged Kingdom: A Review of Inez Tan’s This is Where I Won’t Be Alone

There is no titular story in Inez Tan’s debut collection This is Where I Won’t Be Alone. As an American reader, I first considered this title a statement of theme or artistic destination. But if you’re Singaporean, then you know the title as an excerpt from a popular 1998 song called “Home,” written by Dick Lee for the first in a series of songs Singapore’s National Day Parade, celebrated on August 9th of each year.

The Besieged Kingdom: A Review of Inez Tan’s This is Where I Won’t Be Alone Read More »

There is no titular story in Inez Tan’s debut collection This is Where I Won’t Be Alone. As an American reader, I first considered this title a statement of theme or artistic destination. But if you’re Singaporean, then you know the title as an excerpt from a popular 1998 song called “Home,” written by Dick Lee for the first in a series of songs Singapore’s National Day Parade, celebrated on August 9th of each year.

“A Wild and Scathing Happiness”: Philippe Petit’s On the High Wire

On the High Wire was written in 1972, when Petit was all of 23, and Paul Auster’s new translation of the book has just been published by New Directions. On the High Wire (2019) is a little (ahem, petit) thing, all of 115 pages including notes, with a trim size—4.5” x 7.3”—to match. In the hand it feels like a guidebook and reads like a dream diary. The book is both of those things.

“A Wild and Scathing Happiness”: Philippe Petit’s On the High Wire Read More »

On the High Wire was written in 1972, when Petit was all of 23, and Paul Auster’s new translation of the book has just been published by New Directions. On the High Wire (2019) is a little (ahem, petit) thing, all of 115 pages including notes, with a trim size—4.5” x 7.3”—to match. In the hand it feels like a guidebook and reads like a dream diary. The book is both of those things.

We Are Stories: A Review of Lindsey Drager’s The Archive of Alternate Endings

The realm of storytelling is a sacred one, and not just for authors and readers, but for our culture as a whole. As the novel makes readily apparent, if we neglect or ignore our collective pasts, our stories, then we risk losing the most important part of us forever.

We Are Stories: A Review of Lindsey Drager’s The Archive of Alternate Endings Read More »

The realm of storytelling is a sacred one, and not just for authors and readers, but for our culture as a whole. As the novel makes readily apparent, if we neglect or ignore our collective pasts, our stories, then we risk losing the most important part of us forever.

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