Interviews – Page 52 – Michigan Quarterly Review

Interviews

¿Por que te vas? An Interview with Veronica Gonzalez Peña

“I mean the fantastical is as old as stories themselves, is perhaps where stories begin, but when a Latin American uses that trope we are immediately categorized. Boxes are safe. Safety doesn’t interest me, not in art. “

¿Por que te vas? An Interview with Veronica Gonzalez Peña Read More »

“I mean the fantastical is as old as stories themselves, is perhaps where stories begin, but when a Latin American uses that trope we are immediately categorized. Boxes are safe. Safety doesn’t interest me, not in art. “

In-Process: A Conversation with Gina Balibrera

* Claire Skinner *

This is the first installment in what I hope will be a long and fruitful set of discussions with writers who are are engaged in the wonderful yet daunting process of writing their first books. My first interviewee is Gina Balibrera, a writer of fiction and nonfiction, who is at work on her first novel, The Volcano-Daughters.

In-Process: A Conversation with Gina Balibrera Read More »

* Claire Skinner *

This is the first installment in what I hope will be a long and fruitful set of discussions with writers who are are engaged in the wonderful yet daunting process of writing their first books. My first interviewee is Gina Balibrera, a writer of fiction and nonfiction, who is at work on her first novel, The Volcano-Daughters.

Tremors Cover

Tremors of Iranian American Writing

“Many of us feel that our experience of being bicultural, tricultural, or simply growing up between continents and cultures has given us a kind of double-vision. I think of this as being a kind of third eye in which to see others, and in particular to see ‘otherness.'”

Tremors of Iranian American Writing Read More »

“Many of us feel that our experience of being bicultural, tricultural, or simply growing up between continents and cultures has given us a kind of double-vision. I think of this as being a kind of third eye in which to see others, and in particular to see ‘otherness.'”

Substantiations of Violence, Romanticism, and Lame Jokes: An Interview with Douglas Trevor

“I think the idea that writing makes people feel better is usually mistaken. Finishing a book, or a story, or an article, is an accomplishment and that should bring a measure of joy and/or relief, but I think when people set out to write about painful experiences they delude themselves when they claim that they will feel better at the end of the experience. They might feel better by virtue of finishing the book or the story, but I don’t think that means they will feel better about whatever was ailing them when they started out. I just don’t think writing cures despair. Melville says as much in his diaries, and so does Shakespeare’s speaker at the end of the Sonnets: ‘Love’s fire heats water, water cools not love.'”

Substantiations of Violence, Romanticism, and Lame Jokes: An Interview with Douglas Trevor Read More »

“I think the idea that writing makes people feel better is usually mistaken. Finishing a book, or a story, or an article, is an accomplishment and that should bring a measure of joy and/or relief, but I think when people set out to write about painful experiences they delude themselves when they claim that they will feel better at the end of the experience. They might feel better by virtue of finishing the book or the story, but I don’t think that means they will feel better about whatever was ailing them when they started out. I just don’t think writing cures despair. Melville says as much in his diaries, and so does Shakespeare’s speaker at the end of the Sonnets: ‘Love’s fire heats water, water cools not love.'”

Kismet, Blueprints, & Secret Tattoos: Catching Up with Essayist Aisha Sabatini Sloan

“For each essay, I would set myself up as though I were allowed to make a collage using last Wednesday’s newspaper, a 1996 issue of Art Forum, and the notes I took while on layover at the Minneapolis/St Paul airport. And the reason for each particular assemblage was not random: there was always some hunch that I was trying to articulate in the gathering. Race, place and art are ongoing themes.”

Kismet, Blueprints, & Secret Tattoos: Catching Up with Essayist Aisha Sabatini Sloan Read More »

“For each essay, I would set myself up as though I were allowed to make a collage using last Wednesday’s newspaper, a 1996 issue of Art Forum, and the notes I took while on layover at the Minneapolis/St Paul airport. And the reason for each particular assemblage was not random: there was always some hunch that I was trying to articulate in the gathering. Race, place and art are ongoing themes.”

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