anthology – Michigan Quarterly Review

anthology

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Complicating the Canon: A Review of “The Wake Forest Series of Irish Poetry, Vol. IV”

If Irish poetry could not claim to be fine art before the twentieth century, it is not because there was a lack of Irish poets with talent and voice; rather, it is because the literary world ignored them, or willfully caricaturized them. Though the problem persists, this anthology makes it clear: the work of Irish poets is undeniably diverse, crafted with rigor, and historically urgent.

Complicating the Canon: A Review of “The Wake Forest Series of Irish Poetry, Vol. IV” Read More »

If Irish poetry could not claim to be fine art before the twentieth century, it is not because there was a lack of Irish poets with talent and voice; rather, it is because the literary world ignored them, or willfully caricaturized them. Though the problem persists, this anthology makes it clear: the work of Irish poets is undeniably diverse, crafted with rigor, and historically urgent.

installation of the georges pompidou centre in paris

Diasporic Intimacies: On Reading “Go Home!”

This absence of certitude about home—what it is, where it is, whether it is a noun or a verb, a being or a becoming—runs through the various essays, fictions, and poems that Buchanan collects in the Go Home! anthology.

Diasporic Intimacies: On Reading “Go Home!” Read More »

This absence of certitude about home—what it is, where it is, whether it is a noun or a verb, a being or a becoming—runs through the various essays, fictions, and poems that Buchanan collects in the Go Home! anthology.

“Neoliberal Austerity and Left Melancholy,” by Vassilis Lambropoulos

Since the very start of the Trump Presidency, American poets have rapidly mobilized in news-making numbers and noises to participate in protests across geographical and generational divides.

“Neoliberal Austerity and Left Melancholy,” by Vassilis Lambropoulos Read More »

Since the very start of the Trump Presidency, American poets have rapidly mobilized in news-making numbers and noises to participate in protests across geographical and generational divides.

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