If Irish poetry could not claim to be fine art before the twentieth century, it is not because there was a lack of Irish poets with talent and voice; rather, it is because the literary world ignored them, or willfully caricaturized them. Though the problem persists, this anthology makes it clear: the work of Irish poets is undeniably diverse, crafted with rigor, and historically urgent.
This absence of certitude about home—what it is, where it is, whether it is a noun or a verb, a being or a becoming—runs through the various essays, fictions, and poems that Buchanan collects in the Go Home! anthology.
Since the very start of the Trump Presidency, American poets have rapidly mobilized in news-making numbers and noises to participate in protests across geographical and generational divides.