Britain – Michigan Quarterly Review

Britain

On “The Great British Dream Factory”: An Interview With Dominic Sandbrook

“I’ve written four books about Britain since the ’50s, and pop culture always played a big part in those books. So they were always sort of very broad, panoramic political and cultural histories. And I always thought it was a really interesting topic: how Britain went from being a country that really prided itself on its economic and imperial dominance to one that had reinvented itself as a kind of cultural power. So, the fact that I do television informed the book to some extent, as well as the work I’ve done for the newspapers. I’d say it’s made me very conscious of how historians like me write a lot about politics but the reality is that for most people, politics doesn’t play a very important role in their lives, whereas pop culture does. TV is part of our common currency in a way that politics just isn’t. I thought this would be a good way to explore Britain’s national experience in the last century or so, as well is how Britain has been perceived.”

On “The Great British Dream Factory”: An Interview With Dominic Sandbrook Read More »

“I’ve written four books about Britain since the ’50s, and pop culture always played a big part in those books. So they were always sort of very broad, panoramic political and cultural histories. And I always thought it was a really interesting topic: how Britain went from being a country that really prided itself on its economic and imperial dominance to one that had reinvented itself as a kind of cultural power. So, the fact that I do television informed the book to some extent, as well as the work I’ve done for the newspapers. I’d say it’s made me very conscious of how historians like me write a lot about politics but the reality is that for most people, politics doesn’t play a very important role in their lives, whereas pop culture does. TV is part of our common currency in a way that politics just isn’t. I thought this would be a good way to explore Britain’s national experience in the last century or so, as well is how Britain has been perceived.”

“We Can Practice Starts,” by Courtney Sender

* fiction by Courtney Sender, excerpted from MQR 53:2, Spring 2014 * Look, the truth of the way of the world is that David loves Moira enough to move to the middle of Nothing, England, for her, and Moira doesn’t love David enough to pick up the goddamned phone.

All David wants to do is warn her:

“We Can Practice Starts,” by Courtney Sender Read More »

* fiction by Courtney Sender, excerpted from MQR 53:2, Spring 2014 * Look, the truth of the way of the world is that David loves Moira enough to move to the middle of Nothing, England, for her, and Moira doesn’t love David enough to pick up the goddamned phone.

All David wants to do is warn her:

The Speed of Nature: Ben Rivers’ Two Years at Sea

by Nicholas Johnson

Ben Rivers’ Two Years at Sea is a portrait of Jake, a man who lives a lone subsistence lifestyle in the wilds of Scotland. Rivers’ film is a silent plotless meditation on life at a different pace and begs of the cinema goer a different kind of attention. A piece of contemporary romanticism, filmed on old equipment, removed from society, almost anthropological in its depiction of a human who moves at the speed of nature.

The Speed of Nature: Ben Rivers’ Two Years at Sea Read More »

by Nicholas Johnson

Ben Rivers’ Two Years at Sea is a portrait of Jake, a man who lives a lone subsistence lifestyle in the wilds of Scotland. Rivers’ film is a silent plotless meditation on life at a different pace and begs of the cinema goer a different kind of attention. A piece of contemporary romanticism, filmed on old equipment, removed from society, almost anthropological in its depiction of a human who moves at the speed of nature.

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