“It can be lonely to work from a liminal space, but I think it allows me to go deeper, to uncover the unnameable, the wild. Even though it can be uncomfortable, I’m most comfortable working there.”
Meet the contributors of MQR 57:1, our special issue dedicated to the presence of poetry at the University of Michigan.
“I think that good writers can create a fully-developed, lived-in physical space for any location and time, and I consider myself lucky that I grew up in–and am able now to write about–a place as physically interesting and beautiful as northern Michigan. As a writer, it’s a great place to hang out in and explore, and as much as anything continues to drive my interest in the landscape.”
Festival season is coming, so here are some literary events (most of them free) worth checking out this summer. We’d love to add to this list, so let us know if we’ve missed a good one!
Every night, I built a blind in the field from heaped tires, shot pheasants from there. I’d found the rifle at the abandoned shooting range. It was an air gun, fired pellets with hollow points that left holes the shape of keyholes in the targets. So far I had killed two pheasants and, accidentally, one squirrel. I had never seen another person. Squatters occupied the other abandoned warehouses, but squatters avoided the warehouse in the field.