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Joan Silber Headshot

Moving the Perspective: An Interview with Joan Silber

The first book that I wrote when I was vastly younger than I am now was based on my own family, but the point of view it took was my mother’s, a character, whom I would offer was often at odds with in real life. So I wanted to make that jump as something that writing could do, and I think I got some of that idea from Chekhov, whose writing I loved.

Moving the Perspective: An Interview with Joan Silber Read More »

The first book that I wrote when I was vastly younger than I am now was based on my own family, but the point of view it took was my mother’s, a character, whom I would offer was often at odds with in real life. So I wanted to make that jump as something that writing could do, and I think I got some of that idea from Chekhov, whose writing I loved.

On the Creation of Other Worlds: A Response to “Against Leaving Him” by Christine Rhein

“What I am trying to say is that place can be simulated, but the simulation has limits. My Dad was born in Detroit, and he was—and remains—a fan of the Detroit Lions.

The Detroit Lions are perhaps the worst team in NFL history—the first team to have a winless season.”

On the Creation of Other Worlds: A Response to “Against Leaving Him” by Christine Rhein Read More »

“What I am trying to say is that place can be simulated, but the simulation has limits. My Dad was born in Detroit, and he was—and remains—a fan of the Detroit Lions.

The Detroit Lions are perhaps the worst team in NFL history—the first team to have a winless season.”

Impossible Walks: An Interview with Kathleen Rooney

“As citizens, we all have to reach out and try to be compassionate and kind, and to make sure we are working for a better existence for everybody all the time.”

Impossible Walks: An Interview with Kathleen Rooney Read More »

“As citizens, we all have to reach out and try to be compassionate and kind, and to make sure we are working for a better existence for everybody all the time.”

On “Self-Portrait with Boy”: An Interview with Rachel Lyon

“I think in part because this is my first novel, I struggled a bit with the problem of suspension of disbelief. I had this feeling that I needed somehow to justify the piece. It is an improbable story—as many novels are!—and I think I was afraid readers wouldn’t ‘believe’ it. So I think I compensated for that by playing around with various metafictional elements.”

On “Self-Portrait with Boy”: An Interview with Rachel Lyon Read More »

“I think in part because this is my first novel, I struggled a bit with the problem of suspension of disbelief. I had this feeling that I needed somehow to justify the piece. It is an improbable story—as many novels are!—and I think I was afraid readers wouldn’t ‘believe’ it. So I think I compensated for that by playing around with various metafictional elements.”

The Only Question Left To Be Settled Now

In 1872, Susan B. Anthony cast a ballot in the presidential election in which Ulysses S. Grant would win his second term in office. Nearly half a century before women would actually get the right to vote in this country, this was of course an illegal act, and one for which Anthony was ultimately arrested and tried.

The Only Question Left To Be Settled Now Read More »

In 1872, Susan B. Anthony cast a ballot in the presidential election in which Ulysses S. Grant would win his second term in office. Nearly half a century before women would actually get the right to vote in this country, this was of course an illegal act, and one for which Anthony was ultimately arrested and tried.

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