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nonfiction

Of Artichokes and Lightning Bolts

In the arts, repetition put to smart use bears fruit almost instantly. Take a phrase of music or a line of poetry and read it, hum it, then repeat it. Again and again. Crack the circle open and you find a spiral, spinning, a single pattern among many.

Of Artichokes and Lightning Bolts Read More »

In the arts, repetition put to smart use bears fruit almost instantly. Take a phrase of music or a line of poetry and read it, hum it, then repeat it. Again and again. Crack the circle open and you find a spiral, spinning, a single pattern among many.

“The Brawl and the Tango,” by Michael Reid Busk

The No Coast Derby Girls skate at Pershing Auditorium in downtown Lincoln, fifteen hundred miles from the Pacific, eleven hundred from the Atlantic, and two blocks from the Nebraska State Capitol, a domed sandstone tower locals call, with a mixture of affection and scorn.

“The Brawl and the Tango,” by Michael Reid Busk Read More »

The No Coast Derby Girls skate at Pershing Auditorium in downtown Lincoln, fifteen hundred miles from the Pacific, eleven hundred from the Atlantic, and two blocks from the Nebraska State Capitol, a domed sandstone tower locals call, with a mixture of affection and scorn.

“Where Did Our Love Go? Contemplating the Life and Death of Motown and the Motor City,” by Suzanne E. Smith

In the conclusion of my book Dancing in the Street: Motown and the Cultural Politics of Detroit, I described the fanfare that surrounded the fortieth anniversary of Motown Records, which included a commemorative compact disc boxed set, an ABC­TV documentary miniseries, and a special Motown half­time show at the Super Bowl.

“Where Did Our Love Go? Contemplating the Life and Death of Motown and the Motor City,” by Suzanne E. Smith Read More »

In the conclusion of my book Dancing in the Street: Motown and the Cultural Politics of Detroit, I described the fanfare that surrounded the fortieth anniversary of Motown Records, which included a commemorative compact disc boxed set, an ABC­TV documentary miniseries, and a special Motown half­time show at the Super Bowl.

“Letter from Tehran: Beyond the Brink?” by Christopher Thornton

The guard was circulating through the halls to announce that it was closing time, but it was only 4:45—fifteen minutes should have been left for stragglers to wander.

“Letter from Tehran: Beyond the Brink?” by Christopher Thornton Read More »

The guard was circulating through the halls to announce that it was closing time, but it was only 4:45—fifteen minutes should have been left for stragglers to wander.

Fall 2005 Cover

MQR 44:4 | Fall 2005

Together with Part 2 (Winter 2006), this special issue offers detailed insight into the documentary imagination. Edited by Tom Fricke and Keith Taylor, this issue features: Mark Auslander on documenting the restoration of an African-American cemetery in Georgia; Barry Lopez interviewed by Michael Shapiro; Erik Mueggler on writing the imperial project; Eileen Pollack on a Jewish cemetery in Detroit; Tom Pohrt curating never-before-circulated photos from the Cuban revolution; Jonathan Raban on James Agee and the limits of documentary style; and Keith Taylor on finding in public records the true story of a relative’s suicide in western Canada.

MQR 44:4 | Fall 2005 Read More »

Together with Part 2 (Winter 2006), this special issue offers detailed insight into the documentary imagination. Edited by Tom Fricke and Keith Taylor, this issue features: Mark Auslander on documenting the restoration of an African-American cemetery in Georgia; Barry Lopez interviewed by Michael Shapiro; Erik Mueggler on writing the imperial project; Eileen Pollack on a Jewish cemetery in Detroit; Tom Pohrt curating never-before-circulated photos from the Cuban revolution; Jonathan Raban on James Agee and the limits of documentary style; and Keith Taylor on finding in public records the true story of a relative’s suicide in western Canada.

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