Poetry – Page 73 – Michigan Quarterly Review

Poetry

On “Our Sudden Museum”: An Interview with Robert Fanning

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“Among this book’s major themes and images is that of the house—that structure that is often what holds a family. What happens when that house is emptied of its inhabitants? When that house has grown vacant, or has become abandoned by the departure or passing of those who lived there?”

On “Our Sudden Museum”: An Interview with Robert Fanning Read More »

“Among this book’s major themes and images is that of the house—that structure that is often what holds a family. What happens when that house is emptied of its inhabitants? When that house has grown vacant, or has become abandoned by the departure or passing of those who lived there?”

A Review of Carol Smallwood’s “In Hubble’s Shadow”

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“Simple images, such as the dandelion in the sidewalk crack or ice in lemonade, invite us to compare our own experience and find meaning where there was none before. More complex, but equally intangible experiences can be found in poems like ‘Rearrangements,’ which explores the aftereffects of covert child abuse, although each victim is different.”

A Review of Carol Smallwood’s “In Hubble’s Shadow” Read More »

“Simple images, such as the dandelion in the sidewalk crack or ice in lemonade, invite us to compare our own experience and find meaning where there was none before. More complex, but equally intangible experiences can be found in poems like ‘Rearrangements,’ which explores the aftereffects of covert child abuse, although each victim is different.”

Climbing Lion Rock: An Interview with Wawa and Henry Wei Leung

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“This intense, absurd tragedy, I realize now, is my invisible foundation. The myth of Pei Pei is born here—an image that picks up the devastation between Nietzsche and the world and between me and Hong Kong. The dead part of me still lingers in Hong Kong through Pei Pei.”

Climbing Lion Rock: An Interview with Wawa and Henry Wei Leung Read More »

“This intense, absurd tragedy, I realize now, is my invisible foundation. The myth of Pei Pei is born here—an image that picks up the devastation between Nietzsche and the world and between me and Hong Kong. The dead part of me still lingers in Hong Kong through Pei Pei.”

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