reality television – Michigan Quarterly Review

reality television

Vicariousness and TV Recaps on the Internet

In his article “How Roland Barthes Gave Us the TV Recap,” Sam Anderson writes that “a cultural critic is betwixt and between: not a regular consumer of culture and yet someone immersed deeply enough in it to appreciate its inner mechanisms.” I feel strange saying that my recaps of a show like Bachelor in Paradise are a significant piece of cultural criticism or that they make me a cultural critic. (Though, certainly, some gorgeous writing came out of recaps of the final episode of Mad Men that wove together the end of the show for its viewers.) But I believe that the position I occupied, the sort of liminal space that an anthropologist would call a key informant, enabled me to situate Bachelor in Paradise within a context where individuals would actually enjoy it.

Vicariousness and TV Recaps on the Internet Read More »

In his article “How Roland Barthes Gave Us the TV Recap,” Sam Anderson writes that “a cultural critic is betwixt and between: not a regular consumer of culture and yet someone immersed deeply enough in it to appreciate its inner mechanisms.” I feel strange saying that my recaps of a show like Bachelor in Paradise are a significant piece of cultural criticism or that they make me a cultural critic. (Though, certainly, some gorgeous writing came out of recaps of the final episode of Mad Men that wove together the end of the show for its viewers.) But I believe that the position I occupied, the sort of liminal space that an anthropologist would call a key informant, enabled me to situate Bachelor in Paradise within a context where individuals would actually enjoy it.

Reality Bites: How Reality [Television] Scares Us More Than The Art We Make About It

This past semester, I asked the undergraduates in my creative writing class to name the materials they felt were absolutely central to the class and the readings they felt had not earned their place on the syllabus. Overwhelmingly, my students cited a particular prose poem for the second category. While they could not find anything stylistically, technically or pedagogically wrong with it–in fact, most enjoyed the poem–they found the subject matter too trite for a college class. The poem was Kate Durbin’s “The Hills, 5,” the subject: reality television.

Reality Bites: How Reality [Television] Scares Us More Than The Art We Make About It Read More »

This past semester, I asked the undergraduates in my creative writing class to name the materials they felt were absolutely central to the class and the readings they felt had not earned their place on the syllabus. Overwhelmingly, my students cited a particular prose poem for the second category. While they could not find anything stylistically, technically or pedagogically wrong with it–in fact, most enjoyed the poem–they found the subject matter too trite for a college class. The poem was Kate Durbin’s “The Hills, 5,” the subject: reality television.

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