From the Archives – Page 3 – The Kelsey Blog

From the Archives

Photo of Acropolis at Athens

From the Archives #50

By Sebastián Encina, Collections Manager

Thanks to the efforts of Dr. Cathy Person, along with the work of conservators Suzanne Davis and Caroline Roberts and registrar Michelle Fontenot, the Kelsey Museum has kept rather busy over the last few years with class visits to the Museum. Every semester, hundreds of students come through to view our displays, speak with the staff, and learn about museum work. On top of that, the Kelsey Museum provides an added benefit to students: the opportunity to handle ancient artifacts associated with their classes. Students and instructors from Classics, History of Art, Middle East Studies, English, History, German, and a slew of other departments are routinely visiting and getting to work with our collections. This likely would have made Francis Kelsey happy, as he began collecting in order to give students the opportunity to see firsthand the items that they were reading about in their books.

The students who get to work with artifacts have the distinct pleasure of handling some rare artifacts, and some very old ones as well. The Kelsey brings out ceramics such as ancient Greek and Roman amphorae, fish plates, and kylikes, textiles, mold-made figurines and lamps, papyri, cartonnage mummy masks, stelae, Latin inscriptions, glass vessels, amulets, and many coins, among many other types of artifacts. The items are chosen for specific classes, so students can better grasp the lessons being taught.

More and more, the Kelsey is also making its archives available for these classes as well. For this month’s “From the Archives,” we present a selection of archival photographs that were used for instruction during the past year. In this group, we see photographs from Egypt, Italy, and Greece. Created by three photographers — George R. Swain, Easton T. Kelsey, and an unidentified photographer — the images show various aspects of archaeology: artifact remains, architecture, landscape, as well as the human toll of disaster. 

Photos 5.1790 and 5.3342, both taken by Swain, give the viewer a glimpse of finds from Karanis, Egypt. These are often used to demonstrate how people in Karanis, as elsewhere in the world and through time, would hoard and hide their belongings. 5.1790 shows letters written on papyri hidden underneath a threshold. Image 5.3342 shows a pot that contained a hoard of coins. Perhaps the person who hid it intended to return and collect the coins for later use. 

ancient threshold
5.1790: “Rolls of papyrus as found in a hollow threshold of a door between rooms D and E of house 5026,” Karanis. Photo by George R. Swain.
pot being excavated from dirt
5.3342: Coin Hoard 12 from Karanis. Pot (29-F28H-a), inside which were coins (29-F28H-Ax50), as found. Photo by George R. Swain.

Photograph 2003.05.0014 was taken by a professional photographer, probably as part of a series that could be sold as a souvenir. These photo collections (Views of Italy, Views of Egypt, etc.) were common in the 1800s, when traveling was not as easy as it is today. This particular photograph demonstrates the destruction and devastation wrought by Mt. Vesuvius when it erupted in 79 AD and covered various cities in towns in southern Italy, including Pompeii, where this photograph was created.

Plaster cast of victim of Vesuvius.
2003.05.0014: Pompeii, “Cadavere di donna.” Unknown photographer.

KK267 and KS209.02 are views of Athens and the Acropolis. They were taken by Easton Kelsey, son of Francis Kelsey, and George Swain, respectively, in the 1920s.

Photo of Acropolis at Athens
KK267: “Acropolis. East end of the Parthenon.” Photo by Easton T. Kelsey, ca. 1920s.
photograph of Athens with Mount Lycabettus in distance
KS209.02: “Acropolis. Modern Athens and Lycabettus from the Acropolis.” Photo by George R. Swain, ca. 1920s.

 

The Kelsey Museum provides opportunities for students and other visitors to see not only artifacts, but also the papers, maps, and photographs we also care for. These materials are here for study, as research is not artifact-based only. We have hosted a number of classes that have looked at non-artifact collections, and we expect more to come in the future. Those students will have a deeper experience as a result.

From the Archives #50 Read More »

Black and white photo of an Istanbul market, 1919

From the Archives #49 — December 2019

By Sebastián Encina, Collections Manager

In December, many of us spend a lot of time at local stores perusing goods that we think would make great gifts for our loved ones. We spend hours trying to find the perfect gift, the item that shows how we think about those we care about, whether they are close to us or far away.

For this month’s “From the Archives,” we go one hundred years back in time, to December 1919, to find a University of Michigan staff member far from home but doing the same thing — going to shops and markets, perhaps to find souvenirs to send back home to Michigan. In 1919 and 1920, U-M photographer George R. Swain accompanied Francis Kelsey on an expedition through Europe and the Mediterranean region. Their goal was to document classical sites as well as to identify sites that might have potential for future excavations.

Here we present seven images taken by Swain in Istanbul — or Constantinople, as it was referred to then (some photo captions refer to the area of “Stamboul”). While traveling, Swain photographed not only archaeological artifacts, sites, and structures, nor did he focus solely on collections at other museums. Almost everywhere he went, Swain turned the camera around to his surroundings, to the people in the area, offering us a glimpse into life in those countries at that time.

The photos shown here cover a time period of 20 days, from 5 December to 24 December 1919. Swain captures life at several shops and businesses in Istanbul. We see a person fixing umbrellas. A cobbler’s shop. A busy corner at the bazaar. Bread and fruit for sale. All the shopping Swain chose to capture.

These photographs allow us to see what the city was like one hundred years ago. People who visit Istanbul now will notice many similarities, but also many differences. The bazaar, though altered, remains. Maybe some of those same shops are still there! And the sentiment is the same. People going about doing their shopping, purchasing items they need, or gifts for friends and family. Now in 2019, we continue doing the same.

Black and white photo of an Istanbul market, 1919
“The umbrella mender sitting on the sidewalk on a typical street.” 5 December 1919. KS043.4.
Black and white photo of an Istanbul market, 1919
“Shop where they pressed the Turkish tabbooses or fezes.” 9 December 1919. (With the passing of the fez, this was a vanished industry by 1927.) KS046.10.
Black and white photo of an Istanbul market, 1919
“A tiny cobbler’s shop by the street in Stamboul.” 9 December 1919. KS046.11.
Black and white photo of an Istanbul market, 1919
“A busy corner near the Egyptian bazaar.” 9 December 1919. KS047.9.
Black and white photo of an Istanbul market, 1919
“Crowd of people by the booths of the Egyptian bazaar.” 9 December 1919. KS047.11.
Black and white photo of an Istanbul market, 1919
“Bread for sale.” 24 December 1919. KS052.7.
Black and white photo of an Istanbul market, 1919
“Scene in a fruit market.” 24 December 1919. KS052.11.

From the Archives #49 — December 2019 Read More »

From the Archives #48 — November 2019

By Sebastián Encina, Collections Manager

November 2019 marks the ten-year anniversary of the opening of the Kelsey Museum’s William E. Upjohn Exhibit Wing. Last month’s “From the Archives” showed the old exhibition spaces of the Kelsey Museum. Though Newberry Hall served the Kelsey well for many years, it was not designed as a museum space. Security, climate control, and space constraints limited what the museum staff could do. Only a few hundred artifacts were ever on display at any time, and the temporary exhibition space was small, allowing for only a few additional artifacts to be brought out. From early on, museum staff knew a new space was needed to make the best of the collections.

When Ed and Mary Meader offered to make this dream possible, the process of imagining the new space and preparing for the eventual opening began. This was a big endeavor for the Kelsey staff, as we had to imagine something from nothing. Where would walls be? What cases would we have? At first, these considerations were just figments of our imagination. We worked closely with University of Michigan architects to plan the new space, eventually hiring an outside firm to design the Upjohn Wing.

For this month’s “From the Archives,” we present a sample of the planning that went into the new building. While we do have the architectural plans of Upjohn (the original designs did not have a second floor, instead offering just a loft), here we show what it takes to plan for the display of an artifact, and how much can change between concept and implementation. In these files, we see the planning that went into how the coffin of  Djheutymose was going to be displayed. For those who remember, Djheutymose was displayed horizontally for many years, on pins above a mirror. In this way, visitors were able to see the top of the coffin while the mirror showed the interior. With the new display, the Kelsey’s curator of Dynastic Egyptian Collections, Janet Richards, wanted Djheutymose to be vertical, making it easier for visitors to see the coffin’s interior decorations.

In order to make this happen, the entire Kelsey team had to be involved. Janet and other curators lent their vision; the exhibition team, the architect, and the consultant lent their eyes and ideas for design; the conservators assessed the viability of the plans. We looked at examples of coffin displays at other museums, assessing how those coffins were supported and how stable they were. The object list included among these images shows artifacts envisioned for this case that were cut for various reasons. Much changes during the course of an exhibition installation.

This kind of painstaking work happened over and over for all the cases, pedestals, and displays that are now on view in Upjohn. For years, each case was planned in a very similar fashion. Lists were made, visions shared, all of it altered time and again until we settled on the designs seen currently. And after ten years, some have changed and others will continue to change. Be sure to check back often over the next ten years to see how much more changes between now and 2029.

From the Archives #48 — November 2019 Read More »

From the Archives #47 — October 2019

By Sebastián Encina, Collections Manager

November 2019 marks the ten-year anniversary of the opening of the William E. Upjohn Wing of the Kelsey Museum of Archaeology. This expansion, a generous gift of Ed and Mary Meader, allowed the Kelsey Museum to upgrade our galleries and storage space, and expand what we offer to the museum-going community. With the new wing, the Kelsey was able to display many more artifacts — from a few hundred to well over one thousand.

Newberry Hall, the original home of the Kelsey Museum, housed and displayed our artifacts for over 90 years. Though not originally designed as a museum, the building provided a unique and beautiful space to highlight the Kelsey collections. For this month’s “From the Archives,” we present photographs that show the Newberry galleries before the Upjohn Wing was constructed. In those times, the galleries were split between Egypt and the Near East in one room, and Roman/Etruscan art in the other. Special exhibitions were mounted in the remaining spaces.

Views over time of Newberry Hall, the North, South, Turret, Hallway, and Classroom Galleries. Dates not known.

 

The primary gallery spaces were housed in what are now the lecture hall and public programs room. The former classroom gallery is now office space for the Kelsey Education staff. The “Turret Gallery” and “Fireplace Gallery” now house the office of the Kelsey’s associate director. Even the hallway had been used to display artifacts. Today, this space displays only prints of photographs from our Archives.

Long-time visitors to the Kelsey will find some of these images familiar, as it was only about 12 years ago that we closed the museum to prepare to move the objects to the new Upjohn Wing. Many of the artifacts seen on display in these photographs are still on display in the current galleries. Others are no longer on view due to various reasons including curatorial decisions and returned loans. 

Though there is a charm to the old displays, we’ve definitely upgraded in many ways. The new galleries provide the objects with proper climate control and improved security. The Newberry served us well for many years, but we are incredibly happy to have Upjohn today.

From the Archives #47 — October 2019 Read More »

From the Archives #46 — September 2019

By Sebastián Encina, Collections Manager

This September, researchers from the University of Lecce (Italy) working at the site of Dimé (Soknopaiou Nesos) in Egypt visited the Kelsey Museum. Professor Paola Davoli and team (Bruno Bazzani, Stefania Alfarano, Clementina Caputo) returned to work with the collections from Michigan’s excavations at Dimé in 1931. On this visit, the researchers spent two weeks measuring, drawing, photographing, and studying artifacts from the site. They looked at furniture, beads, sandals, lithics, sculpture, figurines, and a number of other artifact types.

This was the team’s second time in Ann Arbor to work with materials from Dimé. In 2017, Davoli and team visited the Kelsey to look through the archival materials from the excavation. This includes maps, drawings, photographs, and other files that help the current Dimé project better understand work undertaken at the site previously. At that time, Professor Arthur Verhoogt hired two Michigan undergraduates, Bianca Gallina and Josiah Olah, to digitize the Dimé archives to assist the Lecce team’s work. Bianca and Josiah helped the Kelsey organize, identify, catalog, and digitize a great number of items from the archives, which will prove to be beneficial for years to come.

For this month’s “From the Archives,” we present a taste of the work Bianca and Josiah accomplished. Like in Karanis, the Dimé excavation team took detailed notes of the architecture at the site, noting topographic measurements. While there were many drawings made, we present those of an oven found at the site, in house I 107. Ovens were not rare at the sites, but not every home had one. With these drawings, we learn the basic construction of a Roman-era Egyptian oven, its size, and potential uses. We also see the handiwork of the person who, in 1931, drew this for their own research and also for those who followed. 

Though Michigan’s excavation at Dimé occurred back in 1931, the work still has plenty to inform research today. The Dimé team from Lecce continues to mine the Kelsey archives for information, and plenty of other researchers will use this material for other projects. We don’t know yet what those requests will look like, so we do our best to protect this collection and make it accessible to all who want to use it.

Below: Drawings of features from House I 107 in Dimé (Soknapaiou Nesos), Egypt.

KA015B01F07I026-webKA015B01F07I025-web
KA015B01F07I024-web
KA015B01F07I027-web

From the Archives #46 — September 2019 Read More »

From the Archives #45 — August 2019

Sebastián Encina, Collections Manager

It is August, when students and faculty are beginning their return to Ann Arbor for the new academic year. Soon all these people will settle into the familiar routine of classes and meetings and deadlines. It will all be different, and yet still the same.

During their time away, these people were off scattered about the globe. They were studying, excavating, visiting with colleagues, and advancing their research. However, during their summer, they took the time to find moments for themselves. To vacation, to enjoy the various locations where they found themselves. To live where they had traveled.

Many of the archival photographs the Kelsey Museum possesses were taken by University of Michigan people, such as Easton Kelsey, E. E. Peterson, but primarily by George R. Swain. These photos show the work they were undertaking in locations such as Antioch, or Karanis, or Carthage. However, not all the photographs in the archives are of buildings, artifacts, or of U-M people at work.

For this month’s “From the Archives,” we present a single roll of photographs taken in 1919 when George Swain was traveling for work. He turns his attention to the city he finds himself in, Istanbul. No longer simply photographing the work they are doing, he captures moments in the city, random events, interesting scenes. We see a train, the boats along the Golden Horn, people on the Galata Bridge, and an umbrella mender working on the street.

In those days, there were no digital cameras or cell phones to capture these views. Instead, Swain was using the equipment he brought with him. Most “professional” photographs were captured with a view camera using glass plates. These were heavy and cumbersome to carry. Swain also carried a smaller Kodak that used film. This was used for additional photographs, not the professional ones of artifacts and architecture, but everything or anything else. That choice is captured in the archival numbers given to these photographs (KS for Kodak Swain, KP for Kodak Peterson, KK for Kodak Kelsey, depending on who was using the camera at the time). For these, the “43” refers to the arbitrary film roll number assigned. At the time, rolls of film only had 12 frames. Swain knew he was limited in how many photographs he could take before he ran out of film.

The first frame of this roll, KS043.01, is, unfortunately, missing from the archives, so there is no image to show. However, we do have Swain’s notes, and thus know he captured the following: “Dining car with all the metal letters removed to get brass in the war presumably.”

Years from now, current students and researchers will go through their collection of photographs from their travels in the summer of 2019. Not everything was work-related, and memories will be rekindled of the adventures they went on this year.

KS043_12-web
“The Galata Bridge, looking toward Pera.” KS043.12.

From the Archives #45 — August 2019 Read More »

five people holding drawings

From the Archives #44 — July 2019

By Sebastián Encina, Collections Manager

A very common occurrence in archives is coming across mysteries that have no answers. It is frustrating for those of us working with these materials to not have any idea what we have stumbled across. Or who these people are. Or what this photograph is depicting. More frustrating is knowing that for some of these matters, there will never be an answer.

Even with materials very familiar to us, such mysteries pop up. Though we have spent many years working with the maps, journals, and photographs from the Karanis excavations, there are still some items that leave us puzzled. One such example is a series of drawings of artifacts excavated at Karanis. The drawings are in color in order to capture the full nature of the artifacts, a necessity in the days before color photography.

The drawings themselves are not the mysteries. We know what artifacts are depicted; most are here at the Kelsey Museum. Instead, the mystery is who drew them. They are signed by “Joslin” and dated 1929, but no first name, no affiliation, no other identifying information is given. The 1929 Karanis excavation team included several architects and artists, but nothing else in our archives was associated with “Joslin.”

In 2015, the Kelsey Museum received an email from Nancy Joslin Kaleel saying her grandfather was an architecture student at U-M who went to Karanis with the U-M team in 1929. She and her son Calvin were visiting Ann Arbor and were interested in seeing anything relating to Joslin at the Kelsey Museum. We invited Nancy and Calvin to view these files and during their visit, Nancy revealed that Joslin was actually Frederick Burr Joslin, an architect who designed homes in Detroit. Mystery solved.

Nancy recently returned to the Kelsey, bringing more family members who were interested in seeing F. B. Joslin’s work and learning about the Kelsey and the excavations at Karanis. For this month’s “From the Archives,” we present a few of Joslin’s drawings and a photo of his family members each holding a drawing.

five people holding drawings
Members of Frederick Burr Joslin’s family holding images he drew at Karanis. Left to right: Caroline Kaleel holding the toy horse, David Page holding the seated priest, Dr. Judith Joslin-Page holding the bronze cupid, Nancy Joslin Kaleel holding the censer, and Mosa Kaleel holding the wall painting.

It was an absolute pleasure hosting the family at the Kelsey Museum and spending an afternoon with them. They were a delight to have, and we learned so much more about Joslin than we previously knew. Nancy and Judith, who are sisters, say they have many of their grandfather’s belongings, so perhaps we will continue to learn about Joslin’s time at Karanis. What they find may wind up being a future “From the Archives” blog post.

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From the Archives #43 — June 2019

By Sebastián Encina, Collections Manager

It is June, and many students at U-M have graduated, or have at least completed their courses for the academic year. Soon, local schools will be letting out as well, and thus will summer truly begin. For many, this is the time to find fun and entertaining things to do with friends and family. Festivals will pop up throughout the country, and county fairs will have rides available for children and adults alike.

This desire for fun is not limited to American students and families. People across time and throughout the world seek out such amusements. For this month’s “From the Archives,” we present an example of people creating their own entertainment.

In the mid-1920s, a team of University of Michigan archaeologists lived in Egypt as they undertook the excavation of the site of Karanis. The team’s photographer, George R. Swain, would often turn his camera on the locals to capture life in the Fayum region, where Karanis is situated. It is for this reason that candid photographs of animals, neighbors, and people playing and attending weddings dot the collection of photographs of the buildings and artifacts uncovered at the site. It is these photographs of daily life that add color to the Kelsey’s archival record of the Karanis excavations and gives us a glimpse into the lives of people in the Fayum region in the early 20th century.

Group of people around and on a homemade Ferris wheel.
“A native ferris wheel for the Moulid at Qasr Raswan.” Photograph by George R. Swain, 1920s. KM 0150.

KM 0150 is one photograph in a series of images that are largely unattributed and undated. It shows us a glimpse into the local preparations for the festivities of the Moulid, or Mawlid, the observed birth of the Prophet. Swain’s note for the photograph reads, “A native ferris wheel for the Moulid at Qasr Raswan.” Though it does not look exactly like a Ferris wheel as we might imagine one, the concept is the same, albeit on a smaller scale. This image shows us the kind of fun people were creating for themselves in Egypt in the 1920s. People were riding, spinning around, enjoying themselves. The children in the photograph are smiling.

As summer commences, many of us will seek out similar thrills. Whatever form the fun takes, the joy is universal, transcending time and space.

From the Archives #43 — June 2019 Read More »

people dressed as Roman gods

From the Archives #42 — Spring Fling

By Sebastián Encina, Collections Manager

Each May, the College of Literature, Sciences, and the Arts (LSA) at the University of Michigan treats its staff to Spring Fling, an opportunity to celebrate the end of the academic year. This festivity is the college’s thank you to all who contributed to another successful year for the students within the college. Various departments come together to be treated to lunch and be thanked by the Dean’s office.

Every year, LSA selects a theme for Spring Fling. This past May (23 May 2019), the theme was “Out of This World” and staff were encouraged to dress in “space-inspired attire.” The Kelsey Museum decided to participate by dressing as the Greek/Roman gods who represent the various planets and moons. At the time of writing, a vote is underway to select the best-dressed department at Spring Fling 2019. We think we have it in the bag.

people dressed as Roman gods
Kelsey Museum staff in costume for U-M’s 2019 Spring Fling. Left to right are Sarah Mullersman (Mercury), Leslie Schramer (Nyx), Carrie Roberts (Uranus), Alex Zwinak (Mars), Lorene Sterner (Saturn), Dawn Johnson (Neptune), Lisa Rozek (Jupiter), Scott Meier (Charon), and Cathy Person (Pluto).

This image is reminiscent of a photograph from 2008 when members of the Kelsey staff also dressed in Roman attire for Spring Fling. For this month’s “From the Archives,” we present this earlier photo, in which we were not dressed as gods, but as Roman citizens. Unfortunately, the attire did not match the theme of that year’s Spring Fling, but it was still fun to dress up.

people dressed in Roman costume
Kelsey Museum staff on the front steps of the Kelsey Museum, in costume for Spring Fling 2008. Left to right are Sandra Malveaux, Kate Carras, Tracey Miller, Sebastián Encina, Helen Baker, Jackie Monk, and Michelle Fontenot.

Pay particular attention to Alex Zwinak (2019) and Sebastián Encina (2008). Both are wearing Roman armor that is housed at the Kelsey (not accessioned). The armor is actual metal and is very heavy and quite unwieldy, but it is attention-getting and a fun opportunity to dress like a Roman soldier (or Mars, the Roman god of war …).

Maybe in 2030, a future Kelsey staff member will wear this same armor for Spring Fling.

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Notre Dame Cathedral

From the Archives #41 — April 2019

By Sebastián Encina, Collections Manager

On Monday, 15 April 2019, the world watched as the iconic Notre Dame Cathedral in Paris caught fire and burned. Thankfully, firefighters were able to stop the flames and keep the entire building from burning down. There was much damage, but over time repairs will be made.

As soon as news hit the world of this tragedy, social media was inundated with images of people’s experiences and visits to Notre Dame, bringing the world together. 

For this month’s “From the Archives,” we share the Kelsey Museum’s connection to Notre Dame. On 23 March 1924, U-M photographer George R. Swain was in Paris and had the opportunity to visit the church. The images he took nearly a century ago are now in the Kelsey Archives. In addition to the iconic exterior views of Notre Dame, we get a glimpse of happenings outside as Swain turned his camera around to show canaries for sale in the bird market. 

Notre Dame Cathedral
Notre Dame, Paris. Photographed by George R. Swain (undated). Kelsey Museum Archives GL00677.
Notre Dame, Paris
“Views. Facade of Notre Dame.” Photographed by George R. Swain, 23 March 1924. Kelsey Museum Archives KS234.02.
Birdsellers outside Notre Dame Cathedral
“Views. Canaries for sale at the bird market near Notre Dame. Cité.” Photographed by George R. Swain, 23 March 1924. Kelsey Museum Archives KS234.01.

In time, Notre Dame will be rebuilt, and tourists and Parisians alike will continue to pose before it. There are many photographs to remind us of what this structure looked like at various stages in its long history. Archives around the world, including ours here at the Kelsey, will preserve these memories, and will continue to document this important history.

As a keepers of history and supporters of collections, museums, history, and culture, we here at the Kelsey are grateful that Notre Dame was saved and will survive for future generations to admire.

From the Archives #41 — April 2019 Read More »

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