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News

Reflections and New Beginnings: An Interview with Tamika Mohr

Headshot of Tamika Mohr.

The Kelsey Museum bids a fond farewell to Tamika Mohr, our chief administrator since the spring of 2023. Tamika skillfully managed finances, facilities, and more during her time here, bringing dedication, professionalism, and care to all aspects of the museum’s operations. An administrative specialist with experience across multiple university departments—including the Department of Psychiatry and Michigan Medicine’s Center for Cell Plasticity and Organ Design in addition to the Kelsey—she has now accepted the role of chief admin in U-M’s Department of the History of Art.

Transitions are both exciting and bittersweet, especially when they involve someone as dedicated as Tamika. As she moves on from her role at the Kelsey Museum, we invited her to share her memories, accomplishments, and the lessons she’s taking with her into her next chapter at the University of Michigan.


KMA: What has been memorable about your tenure at the Kelsey Museum?

Tamika: My time at the Kelsey has been defined by memorable experiences working alongside truly remarkable teams. I deeply enjoyed the stimulating complexity and multifaceted nature of our work—seamlessly weaving together education, administration, and exhibitions and collaborating with dedicated faculty curators. It’s a small but mighty ensemble of talented individuals who take immense pride in their contributions. 

I must express my deepest gratitude for the privilege of supervising such an exceptional administrative staff. Their constant willingness to work seamlessly as a team, stepping in wherever needed with grace and unwavering professionalism, was truly inspiring. I am eternally grateful to them; they were instrumental to our success and the positive spirit of the Kelsey.

KMA: What work did you enjoy doing? Are there any projects you feel especially proud of?

Tamika: Several aspects were particularly motivating: interacting with the IPAMAA students and the Kelsey student administrative team was a constant source of inspiration. Witnessing their growth and evolution as scholars and young professionals has been genuinely exciting and fulfilling. Furthermore, the Kelsey security team stands out as partners of the highest caliber. They are not just protectors but true hosts to our guests and exemplary stewards of the collection; their dedication has been an integral and deeply valued part of the Kelsey experience.

I also feel a special sense of pride in having collaborated closely with U-M’s Facilities and Operations on significant upgrades—the library renovation, basement improvements, and the new security desk. My sincere hope is that these efforts, alongside the daily collaborations, have helped leave the Kelsey even better than I found it. I know for certain that I am a better professional and individual as a result of my tenure here.

KMA: What are you most looking forward to in your new role in History of Art?

Tamika: It is with immense pride and enthusiasm that I embrace the honor of joining the Department of the History of Art. Already, in my initial time within the department, I’ve learned so much more about serving an academic unit. I eagerly look forward to working intimately with the faculty, staff, and students and to growing, contributing, and serving as a strategic partner to another very special unit within LSA.


On behalf of the Kelsey Museum community, we thank Tamika for her dedication and the many ways she strengthened our museum during her time here. Best wishes to Tamika as she continues to inspire and support colleagues, students, and staff in her new role!

Reflections and New Beginnings: An Interview with Tamika Mohr Read More »

Appeal for Assistance for Sudan

It has been more than a year since the civil war in Sudan started. As fighting continues between the Sudanese Armed Forces and the Rapid Support Forces militia, millions of people have been displaced and face food and housing shortages, including our archaeological colleagues at Jebel Barkal and El-Kurru.

Please read the message below from Kelsey Museum Research Scientist Geoff Emberling to learn how you can support our colleagues and friends in Sudan.


Hello everyone,

It has been a while since we’ve posted on the Jebel Barkal blog. We’ve been busy and I’ll write more about what we’ve been doing in the coming weeks. But for now, I would like to ask for financial help for our colleagues in Sudan.

As you may know, the civil war in Sudan has continued for over a year now. About 8 million people have been displaced from their homes, mostly in the capital city of Khartoum and in Darfur, and many of those have moved to be closer to family in northern Sudan. One of our friends in El-Kurru village (near Barkal) wrote about this in another one of our project blogs, “Narrating Nubia” here. There is not enough work for these refugees, there is barely enough food and housing, and schools have been closed since the start of the war.

We are trying to help in many ways, but for now I’m asking for help for our archaeological colleagues, many of whom are struggling to have enough food to eat. We are hoping not only to support friends who are in a very difficult situation, but also to try to maintain some level of engagement and protection of Jebel Barkal. We can do some of this through project funding, but giving money directly to people in need is not possible with the grants we have.

My wife and I have just donated $3,000. If you have any ability to consider a donation, please contact me directly ([email protected]) and I will tell you how you can make a tax-deductible donation to our non-profit foundation. Many thanks.

Geoff Emberling

Appeal for Assistance for Sudan Read More »

Temporary Closure of Second-Floor Galleries

View of the Kelsey Museum’s second-floor galleries, featuring (from left to right) a hypothetical reconstruction of the Templum Gentis Flaviae, a room of Roman statuary, a large grain mill, and objects relating to health, healing, and daily life in ancient Rome.

Change is afoot at the Kelsey Museum! Beginning Tuesday, May 17, our second floor will be closed as we work toward updating our Roman Empire gallery space. We expect to be able to welcome visitors to the refreshed galleries in early September. Our first-floor exhibitions will remain open during the closure.

We thank you for your patience as we move forward with these important gallery improvements.

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Happy Birthday, Oleg Grabar

Archival photo of Oleg Grabar smiling at a mask mounted on a wall. On this day, in 1929, Oleg Grabar was born in Strasbourg, France. Today would have been his 92nd birthday.

The son of eminent Byzantinist André Grabar, he attended the University of Paris and Harvard, earning diplomas in medieval and modern history. In 1955, he earned his doctorate from Princeton in Oriental languages and literatures. Although his interests later widened to include the Islamic world beyond the Middle East, Grabar first specialized in the art and architecture of the Umayyad dynasty (7th–8th-centuries). 

Grabar began his professional career at the University of Michigan, where he taught from 1954 to 1969. U-M was the first American institution to create a position for an Islamic art historian, and was unique in the United States at that time in its commitment to the study of the Muslim world.

in 1956, Grabar accompanied then-chairman of U-M’s History of Art Department George Forsyth (later director of the Kelsey Museum) on a trip through Lebanon, Syria, Iraq, Turkey, Libya, and the Sinai Peninsula. Their goal was to identify an Islamic site to excavate. They settled on Qasr al-Hayr al-Sharqi, also known as Qasr al-Hayr East, an Umayyad-period urban settlement located in the semiarid Syrian steppe. Between 1964 and 1971, with the support of the Kelsey Museum, Grabar directed a large-scale archaeological excavation at the site. Drawn to the remote 8th-century complex in the hopes of uncovering a princely Umayyad palace, Grabar and his team instead stumbled upon a new type of urban settlement. A rich lifeworld emerged in the midst of their discoveries, and over the course of the excavation’s six seasons, close relationships formed between the American and Syrian archaeologists, historians, and workers who labored and lived at the site.

Aerial view of the archaeological site of Qasr al-Hayr al-Sharqi, Syria.
Aerial view of Qasr al-Hayr al-Sharqi.

A new Kelsey Museum publication examines the six seasons of excavation at Qasr al-Hayr. Co-authored by U-M professor of art history Christiane Gruber and graduate student Michelle Al-Ferzly, City in the Desert, Revisited features previously unpublished documents and over 80 black and white and color photographs from the Qasr al-Hayr dig and recounts the personal experiences and professional endeavors that shaped the fields of Islamic archaeology, art, and architectural history during their rise in the U.S. academy. Grabar remembered his time at Qasr al-Hayr fondly, writing: 

When I visited Damascus, Palmyra, and Qasr al-Hayr in April 1964 in order to organize the expedition planned for the Fall, I did not imagine that so many individuals would become involved in the work over the course of the next fourteen years. Nor did I realize in the crowded bus taking me back, on the eve of Easter, from Homs to Damascus, that, from the black tents of the Syrian steppes to the austere rooms of Damascus officials or to the institutions as far west as San Francisco, there would be men and women whose lives, affections, and memories share a few weeks or months of unbelievably concentrated energy devoted to Qasr al-Hayr. My gratitude to them extends much beyond the ideas they had or the work they did, both work and ideas being by now processed into a frozen book. For all of them taught me something of the joys and pleasure to be had from collective work and I hope all of them feel richer for it, as I do.

— Oleg Grabar, in the official excavation monograph, City in the Desert, p. ix.

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Cover of the book “City in the Desert, Revisited,” showing an archival photo of a Bedouin man holding a falcon.

Available for purchase through ISD.

 

An interactive PDF of the book is available for free download through the Kelsey Museum of Archaeology website.

Happy Birthday, Oleg Grabar Read More »

New Podcast Interview and TED-Ed Animated Video from Geoff Emberling

Kelsey Associate Research Scientist Geoff Emberling has been busy! He’s featured on the October 7 episode of the podcast Tides of History, hosted by historian Patrick Wyman. In the 42-minute interview, Geoff talks about the long and fascinating history of Kush, the contentious nature of previous archaeological research in Sudan, how he came to work in the region, and his projects at El-Kurru and Jebel Barkal.

Geoff also served as the academic consultant for a TED-Ed video about Kush. Published on TED.com earlier this month, the beautifully illustrated video short outlines the rise and fall of this ancient African civilization.

Cover art for the Wondery podcast “Tides of History,” showing the Earth overlaid with clock graphics.
Screenshot of an animation of temple ruins, a staircase, huts, and palm trees. Text in the video labels it as the city of Kerma, while a TED-Ed emblem is overlaid in the upper right corner.

New Podcast Interview and TED-Ed Animated Video from Geoff Emberling Read More »

Nadhira Hill Receives Public Scholarship Award from the Women’s Classical Caucus

Nadhira Hill sitting in a booth at a restaurant.IPCAA student Nadhira Hill has received the Public Scholarship Award from the Women’s Classical Caucus (wccclassics.org) for her blog, Notes from the Apotheke. The citation reads as follows:

“In the few months since Nadhira Hill started her blog, Notes from the Apotheke, she has curated invaluable resources for BIPOC in Classics, ancient history, and archaeology. Her blog posts bring people of all backgrounds together by providing professional development advice in an accessible way, by engaging in dialogues on the state of the field, and by highlighting BIPOC scholars in ancient studies from different backgrounds and career stages.”

Congratulations, Nadhira!

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Just Published: The Spring 2021 Kelsey Newsletter

Cover of the Spring 2021 issue of the Kelsey Museum newsletter, showing a textile fragment covered in swirling orange and green flower and vine motifs.The Spring 2021 Kelsey Newsletter is now available. Inside this issue you will find news about Giving Blueday, U-M’s Poetry Blast, as well as a fascinating preview of research being done by Terry Wilfong on a mysterious artist with a Kelsey connection who was active in London and Cairo in the 1920s.

You can download the issue here, or pick up a printed copy at the Kelsey.

Just Published: The Spring 2021 Kelsey Newsletter Read More »

Two New Publications by Kelsey Affiliates

A book cover featuring pyramids in a desert with sand dunes under a blue sky. Part of the new publications by Kelsey Affiliates, the title reads The Oxford Handbook of Ancient Nubia, edited by Geoff Emberling and Bruce Beyer Williams.Associate Research Scientist Geoff Emberling is happy to announce that the Oxford Handbook of Ancient Nubia, which he co-edited with Bruce Williams of the University of Chicago, was published in December 2020 after five years of work. It has 55 chapters (over 1,100 pages) that give the most recent account of the archaeology, history, and art history of Nubia from the Epipaleolithic to early modern times, with synthetic articles on a range of subjects including gender and the body, rock art, and community engagement in archaeology.

The cover of “Ancient Taxation: The Mechanics of Extraction in Comparative Perspective,” edited by Jonathan Valk and Irene Soto Marín, showing three registers of people and animals.

More recently, Kelsey Museum Assistant Curator of Numismatics Irene Soto Marín is very pleased to announce the publication of Ancient Taxation: The Mechanics of Extraction in Comparative Perspective, which she co-edited with Jonathan Valk of the University of Leiden. Published by the Institute for the Study of the Ancient World and NYU Press in the series ISAW Monographs, this volume is a collection of studies that explores the extractive systems of eleven ancient states and societies from across the ancient world, ranging from Bronze Age China to Anglo-Saxon Britain. The book can be purchased through NYU Press.

Congratulations to you both!

Two New Publications by Kelsey Affiliates Read More »

Welcome, Mallory Bower

Mallory Bower smiling at the camera while standing on a colorfully lit street at night.We are pleased to welcome Mallory Bower as the Kelsey’s new executive assistant and social media coordinator. Mallory received her BA in history and chemistry from Albion College and her BS in heritage administration and museum practice from Eastern Michigan University. She comes to us from the Michigan Historic Preservation Network, where for the past three years she has developed and evaluated programs and implemented social media policies and campaigns.

Mallory has a strong background in museums and is passionate about engaging museum audiences through a variety of traditional and innovative avenues of communication. One of Mallory’s goals at the Kelsey will be expanding our presence and outreach online, building on the excellent work that has been done by Mallory Genauer. Over the next few months, Mallory will be getting up to speed about the Kelsey’s operations and initiatives, as well as becoming acquainted with the greater U-M community through collaboration with her new colleagues.

Welcome, Mallory!

Welcome, Mallory Bower Read More »

book cover

New Kelsey Museum publication hot off the press

book cover
The cover of the Kelsey’s latest publication, Graffiti as Devotion along the Nile and Beyond.

If you want a sneak peek into our upcoming exhibition Graffiti as Devotion along the Nile: El-Kurru, Sudan, which opens to the public on Friday, August 23, you can’t do better than to download the free PDF of the exhibition catalog and get reading.

Chapter one outlines the history of ancient Kush and provides some historical and archaeological context for the graffiti at El-Kurru. Then, seven richly illustrated essays by international scholars explore the phenomenon of graffiti in ancient and Christian-era Sudan, as well as an overview of Nubian rock art and a look at graffiti at Pompeii.

Some questions that are tackled in this book include:

  • What the heck, Meroitic pilgrims. Why are you eating the temple? (chapter 2)
  • Man, some people really love to carve pictures of boats. A whole lotta boats. (chapter 3)
  • Can’t we just rebury it all? Really, it’s for the best. (chapter 4)
  • Beneseg, it would have been great if in the graffito you left on the church wall in Banganarti you could have gone into a little more biographical detail and expanded on your personal ambitions and especially your trip to Nubia from France instead of just saying hi to the Archangel Rafael, thanks. (chapter 6)
  • Were “rock gong” concerts more like Chopin’s nocturnes or an Iggy Pop show? (chapter 7)
  • Graffito 1: Dude, did you see that gladiator match?! Graffito 2: OMG bro, that was off the chain!! (chapter 8)

While not exactly a fluffy summer beach read, Graffiti as Devotion is nonetheless written to engage non-specialist readers. And anyway, there are a lot of pictures. So go ahead! You’ve got nothing to lose! Download the PDF (did we mention that it’s free?) and have a look.

The book itself is a handsome paperback and will soon be available for purchase through our distributor, ISD. Better yet, come to the Kelsey and pick up a copy at our gift shop. While you’re here, stop in and take a stroll through the exhibition.

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Graffiti as Devotion along the Nile and Beyond

Table of Contents

List of Contributors
Overview Map
Timeline of Kush and Nubia
List of Abbreviations
Foreword. “Graffiti in Ancient Kush and Medieval Nubia: An Introduction,” by Geoff Emberling and Suzanne Davis

  1. “A Cultural History of Kush: Politics, Economy, and Ritual Practice,” by Geoff Emberling
  2. “Graffiti at El-Kurru: The Funerary Temple,” by Suzanne Davis and Geoff Emberling
  3. “Boat Graffiti on the El-Kurru Pyramid,” by Bruce Beyer Williams
  4. “Conservation and Documentation of Graffiti at El-Kurru,” by Suzanne Davis
  5. “Figural Graffiti from the Meroitic Era on Philae Island,” by Jeremy Pope
  6. “Discourses with the Holy: Text and Image Graffiti from the Pilgrimage Churches of Saint Raphael the Archangel in Banganarti, Sudan,” by Bogdan Żurawski
  7. “An Overview of Nubian Rock Art in the Region of the 4th and 5th Cataracts,” by Fawzi Hassan Bakhiet
  8. “Graffiti at Pompeii, Italy,” by Rebecca Benefiel

Epilogue. “Hajj Paintings in El-Araba and El-Ghabat, Egypt: A Photo Essay,” by Ayman Damarany
Catalog of Selected Graffiti from El-Kurru, by Suzanne Davis, Geoff Emberling, and Bruce Beyer Williams

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