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Students

The New Faces of IPCAA — 2018 edition

There are four new faces in the corridors of Newberry Hall these days. These are the incoming grad students, hailing from places as far away as New Zealand. Since they’re likely to be our friends and colleagues for quite some time, we thought we’d dive right in and get to know them a little better.

Between orientation, classes, homework, and extracurricular activities, as well as the million other things new students deal with when they arrive at U-M, they’ve hardly had time to breathe, but they have very kindly taken a few moments to answer the pesky questions of a curious editor.

So, without further ado, let us introduce Theo Nash and Alex Moskowitz.


Man standing on large rock.A lifelong fascination with ancient ruins led Theo Nash to study Classics, earning First Class Honours for his Bachelor’s degree and a Master of Arts with Distinction at Victoria University of Wellington in New Zealand. His research so far has been focussed on the Mycenaeans and their broader contexts, starting with his Honours thesis where he explored the creation of identity during the early Mycenaean period. In his MA he argued that the Mycenaean presence at Knossos during Late Minoan II was a precipitating factor in the emergence of palatial culture on the mainland, with a special focus on the contemporary development of Linear B and the contexts in which new scripts are created. He hopes to ask further questions of how scripts develop and spread, both at the palaeographic level and in their broader societal contexts. His other interests include the development of early Greek hexameter poetry and Attic vase painting.

How did you get interested in studying the ancient world?
Living in Germany as a child, I became fascinated with ruins; the rest is history (or, perhaps, archaeology).

What is your favorite thing about studying the ancient world?
That there were people, just like us, who lived what is really an incomprehensibly long time ago. Seeing traces of their life, like a thumbprint impressed on a vase before it was fired, bridges that gap with an immediacy and force that I find incredible.

What is something you think everyone should know about the ancient world?
There seems to be impression among a lot of the people outside academia that Classics is somehow a “solved” field — that because it’s been studied for so long there’s nothing meaningful left to say. But that’s not the case at all. Not only are we frequently making new discoveries, but we continuously find new and better questions to ask of the existing evidence. Far from being antiquated and fusty, it’s an incredibly dynamic and engaging discipline.

What are your career aspirations?
I hope to find myself in a position where I can continue to think about and engage with the Classical world and its relics, whatever that might look like in practical terms.

Who’s your favorite person from history?
The written records of the Mycenaean Greeks unfortunately yield very few personal narratives, but we do know from Hittite records about one Mycenaean named Attarissiya, a military adventurer in what is now Turkey. He appears to have had a personal vendetta against a local potentate, Madduwatta, whom he twice tried to kill for reasons quite unclear. When not distracted by such personal matters, he enjoyed raiding Cyprus. Not the most pleasant fellow, perhaps, but his fragmented CV is a poignant reminder not just of the narratives but also the personalities lost to the ages.

 * * * * *

Man in blue shirt among ancient ruins.Alex Moskowitz earned a BA in Ancient History with High Honors from Swarthmore College in 2015. His research there focused on modeling processes of cultural contact at the Greek site of Sybaris. In 2017, Alex received his MA in Classical Languages (Greek and Latin emphases) at the University of Georgia. His master’s thesis considered Herodotus’s Histories and focused on the role of colonial narratives in blurring distinctions between Greek and non-Greek identities. Alex has also participated in the Azoria Project in Crete and the Western Argolid Regional Project. Since 2016, he has excavated at Morgantina with the Contrada Agnese Project, most recently serving as an assistant supervisor. Alex’s research investigates economic exchange, migration, and transitions in cultural identity at the periphery of the Iron Age Greek world.

How did you get interested in studying the ancient world?
My interests in the ancient world started when I was a child! I stumbled upon some “Asterix” comics in my cousin’s basement and fell in love with the stories. I spent many hours flipping through the pages and reading about the adventures of this tiny Gaul having adventures in the ancient Mediterranean. While an undergraduate, taking ancient Greek and participating in my first field project in Crete revived those interests from a more academic perspective.

What is your favorite thing about studying the ancient world?
It’s the challenges associated with studying the ancient world that excite me most. Reconstructing an image of what daily life or cultural identity was like over 2,000 years ago with limited evidence is no simple task! But developing new methods to understand that evidence and perceiving patterns that may have been overlooked can be very rewarding.

What is something you think everyone should know about the ancient world?
Something I’ve always thought people should know about both ancient Greece and Rome is that both cultures were, by modern standards, really weird! They were obsessed with auguries, and oracles, and sacrifices. They believed in all sorts of magics and had some really peculiar theories for how human bodies work. We like to think of the Greeks especially as these incredibly wise people, but the reality is much stranger. They made some incredible insights in a lot of disciplines, but their world view was so different from our own and it is easy to forget that.

What are your career aspirations?
After I get my PhD, I would love to continue as an academic. In particular, I would like to find a position at a liberal arts college where I could really focus on teaching in a small-classroom setting.

Who’s your favorite person from history?
From ancient history, specifically, my favorite person is probably Herodotus. He is generally considered to be the founder of “history” as a discipline and I am constantly fascinated by the way he perceives connections and differences between different cultures. His book is a wonderful combination of history, ethnography, and pure fairy tale that is a joy to read not only for its many insights into the ancient world but also because it is remarkably entertaining when you give it a chance.


Thank you, Theo and Alex! Welcome to U-M!

We’ll meet the other two IPCAA newcomers, Lauren Oberlin and James Prosser, in a later blog post.

The New Faces of IPCAA — 2018 edition Read More »

Group portrait of about 20 young men in formal attire under ivy-covered arch, early 1900s.

From the Archives 33 — August 2018

By Sebastián Encina, Collections Manager

At the end of August and beginning of September, the annual migration of students, both new and returning, comes back to Ann Arbor. Roads will soon be closed off and traffic patterns thrown asunder. That one way to work we are all used to will longer be an option. Parents helping their children move into their dorms park wherever they can, often causing nightmares for the regular denizens of Ann Arbor.

Soon, those students will start venturing out on their own, making friends and filling the cafés and restaurants we locals have grown accustomed to having all to ourselves. They will form groups of friends through their residences, their departments, their activities, and their classes. They will spend much time together, forming bonds and taking a lot of group photos.

For this month’s “From the Archives,” we present a mystery. Just like in 2018, U-M students have been gathering together since the university was founded, in 1817. With the advent of photography in the mid-19th century, they could document themselves.

Often in archives work, while working on one project, other, seemingly unrelated, materials pop up. Many times, these are “orphans,” left behind by someone who had knowledge about them, but who has since left the institution. While organizing the Kelsey archives, these three photographs were found. Sadly, they are accompanied by no documentation, no explanation.

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Group photographs of young men assembled, perhaps at the U-M campus.

These photographs are presented as a mystery, but also as a call for help. If any of our readers recognize the people captured here, or the locations, or date, or even if this is from the University of Michigan at all, we can begin piecing together this puzzle.

Astute readers will notice one clue that may assist. In the lower right corner of the first photograph is the signature “Randall and Pack.” Some research into this reveals that Randall and Pack was a photo studio active in Ann Arbor between 1908 and 1917.* That gives us a time frame for at least one of the photographs. However, all other details remain obscure.

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A close-up view of the Randall and Pack signature, alongside an advertisement in the 1917 U-M yearbook, the Michiganensian, p. xxxix.

The archives present an opportunity to save history, to save the names and faces of people who have passed through these walls. Unfortunately, this is not always easy, and we rely on our community for assistance. These students may have a Kelsey connection, but without details we may never know. And with this loss, these photographs become an oddity in the archives, rather than a memory.

* * * * *

 * Directory of Early Michigan Photographers, by David V. Tinder (Ann Arbor: William L. Clements Library, University of Michigan, 2013; online edition), s.v. “Randall, Herbert”; see also “Pack, Ambrose Clarkson.”

 

From the Archives 33 — August 2018 Read More »

Craig’s Back!

It’s been pretty quiet in the corridors of Newberry Hall lately. The Kelsey staff is as busy as ever, but the students are all away for the summer; some are taking part in fieldwork projects, others are conducting their own research. (Some might be kicking back, though I’d wager it’s not very many.) The Kelsey research library and the IPCAA study areas — normally hives of activity enlivened by the voices of students chatting about their research, an upcoming exam, or the latest happenings on campus — are dark and deserted.

Frankly, it’s been a little dull around here.

But the new semester is approaching and the students have begun to trickle back, hale and tan and with renewed energy, and we who have stayed behind prod them for details about their adventures abroad.

The first to return this year is one of our favorite Canadians, Craig Harvey, who’s beginning his sixth year as an IPCAA grad student. We sat down with Craig to learn about his summer and (let’s be honest) to live vicariously for a little while as he regaled us with tales of his travels.

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The Kelsey: Welcome back, Craig! What have you been up to this summer?
Craig: Quite a lot! My “summer” actually started back in January when I left for what I thought would be a three-month research trip to Israel, Cyprus, and Jordan to collect data for my dissertation. During my trip, I was invited to join a survey project in Saudi Arabia, which extended my travels until June when I presented at a conference in Jordan and participated in a second project in Israel.

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Craig in front of al-Khazneh (“The Treasury”), Petra, Jordan. All photos courtesy of Craig Harvey.

Kelsey: Wow. That sounds amazing. What specifically were you working on?
Craig:
During my time in Israel, Cyprus, and Jordan I was doing a lot of traveling to sites relevant to my dissertation, which is on Roman-period construction in the Eastern Mediterranean. Specifically, I was looking at the extent of local influence on the construction techniques and materials used in Roman baths. When I was not visiting sites, I was conducting research in libraries and meeting with local scholars.

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The Sanctuary of Apollo Kylates at Kourion, Cyprus.

Kelsey: And in Saudi Arabia?
Craig: In Saudi Arabia, I was part of a survey project documenting the archaeological remains around the city of al-Ula, and for the project in Israel, I was working as the numismatist and was processing and identifying their coins.

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The old city of al-Ula, Saudi Arabia.
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Qasr al-Farid, a rock-cut tomb at Mada’in Saleh, near al-Ula, Saudi Arabia.

Kelsey: That sounds like an incredible experience. Did you get to travel around much?
Craig: Yes, I got to travel a lot, although not all that much in Saudi Arabia. I have been going to Jordan since 2008, and yet there were still places I had not seen before, so this trip was a chance for me to finally get to these important archaeological sites.

Kelsey: What did you do in your free time?
Craig: More travel! I tried to visit as many sites as possible, even those not connected to my dissertation. While in Cyprus, I rented a car and visited a number of the Painted Churches in the Troodos Mountains, and I even managed to visit Beirut and a few sites in Lebanon during the month I was in Jordan.

Kelsey: You must have seen some spectacular things. What would you say was your favorite aspect of the trip? Did you discover any “hidden gems”?
Craig: Well, like I said, I have been going to Jordan for over ten years now, but I still cannot get over how friendly and hospitable the people are. In my opinion, they are some of the nicest people in the world. In terms of a hidden gem, I have to recommend Qasr Bshir, which is a Late Roman fort in the Jordanian desert. It is one of the best-preserved Roman forts in the world, with its walls and towers nearly fully preserved. In my opinion it is one of the best hidden sites in the Middle East and is just spectacular.

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A view of Qasr Bshir, a Late Roman fort in the Jordanian desert.

Kelsey: Thanks a lot, Craig! What’s next for you?
Craig: Now I’ll go back to writing my dissertation!

* * * * *

Craig would like to express his thanks to the American Center of Oriental Research, the Cyprus American Archaeological Research Institute, and the Rackham Graduate School for the generous grants that funded much of his travel.

Craig’s Back! Read More »

Two Conferences — Two Countries — Four Days

BY MATTHEW NAGLAK, IPCAA student

From December 6th to 9th, I had the opportunity to participate in two separate conferences on two different continents in different capacities. At the University of Edinburgh, I was invited along with U-M Classics professor Nicola Terrenato to give a talk about early Latin society and state formation based on evidence from Gabii, Italy, at the international conference The Dawn of Roman Law. Back in Ann Arbor, the Kelsey Museum was gearing up for Into the Third Century: The Past, Present, and Future of Michigan’s Archaeological Museums, a graduate and undergraduate student symposium sponsored by the Collaborative Archaeology Workgroup in conjunction with the bicentennial exhibition Excavating Archaeology @ U-M: 1817–2017 (which is currently on display at the Kelsey Museum). As one of the graduate student organizers for the event, I felt that I should do everything possible to make sure it went as smoothly as possible.

I arrived in Edinburgh, Scotland, on the morning of December 6, about two hours before the beginning of the conference. What followed was approximately 36 hours of extended presentations on topics ranging from the use of the dative in the Twelve Tables to an Etruscan inscription that may be one of the earliest moments ever found for the culture, of dining on Scottish delicacies as well as quite odd Italian-Scottish fusion, and sleeping the sleep of the jet-lagged. Following our well-received presentation, however, it was necessary to switch gears quickly from presenter-mode to that of an organizer/administrator for the symposium back in Ann Arbor.

Organizing a conference is not easy. One must arrange and purchase meals, airport rides, and hotel rooms for the participants, reserve and set up lecture venues, create schedules, prepare introductions, cajole speakers, clean up, and deal with the inevitable technology issues that will arise. Fortunately, the team of doctoral candidate Kimberly Swisher from Anthropological Archaeology, Kelsey Museum educator Catherine Person, and myself had each other to help spread the load. After an excellent keynote address by Lisa Çakmak (Associate Curator of Ancient Art at Saint Louis Art Museum and IPCAA alumna) on Friday night, Saturday went smoothly with presentations by numerous graduate students from IPCAA, Anthropological Archaeology, and Classics, as well as remarks from the directors of the Kelsey Museum and the Museum of Anthropological Archaeology, Terry Wilfong and Michael Galaty, respectively. At the same time, there were multiple posters presented by undergraduate and graduate students and a technology session where participants could try out the newest technology for presenting archaeological materials to the general public. Overall, although an exhausting couple of days, it could not have gone any better!

CAW poster 2017

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Trotter Multicultural Center

BY CAITLIN C. CLERKIN, IPCAA Student

The Kelsey Museum is getting a new neighbor! Kelsey regulars and visitors alike have undoubtedly noticed the construction project to the north of the Kelsey on State Street.* In case you missed the official ground-breaking, this blog post will provide a little orientation to the whats and whys of the project.

The William Monroe Trotter Multicultural Center will be moving from its current location (1443 Washtenaw Avenue) to the new facility (currently being built) on State Street. This project is the result of an exciting combination of student activism and the recognition that space and place matter in both rhetoric and practice.

This is not the first time in Trotter’s history that this combination has led to concrete change. Indeed, what is now Trotter Multicultural Center began its organizational life in fall 1971 as William Monroe Trotter House, a Black student center named for the early 20th-century journalist and civil rights activist, on the corner of South and East University Streets. It was founded in the wake of a 1970 campus-wide strike organized by the first Black Action Movement (BAM I), a coalition of Black student groups which protested against discrimination and marginalization of Black students in university policy and university life. The strike led to negotiations between BAM and the University administration. Among the BAM demands were structural changes (e.g., increasing enrollment of Black students to 10% by 1973 in order to match state demographics) and resources that would support Black and Hispanic students, such as the establishment of a Black student center. Not all of these demands have been fulfilled (notably, Black student enrollment has never reached 10%). Two subsequent activism campaigns (BAM II and United Coalition Against Racism/BAM III) took place in 1975 and 1987. (See a recent essay by Austin McCoy about this legacy and continuing activism.)

Trotter House moved to its current Washtenaw location in 1972 after a fire destroyed the first house; it was renamed William Monroe Trotter Multicultural Center to match an expanded mission in 1981. Now, its planned move to State Street is the direct result of Black student activism.

In 2013, students concerned about University inattention to the Trotter facility on Washtenaw organized an initiative, A New Trotter (ANT), with the goal of a new building for Trotter. This goal gained more momentum under the #BBUM—Being Black at the University of Michigan—campaign organized by the Black Student Union (BSU).  For those unfamiliar, the #BBUM campaign was aimed at sparking conversation about race and diversity—and specifically about the experiences of Black students on campus—across the whole campus. It drew national attention to the University, bringing to the fore student priorities for improving diversity and climate and pushed the University administration to respond to student demands. #BBUM culminated in seven demands issued to the University administration in winter 2014; the creation of a new Trotter Multicultural Center on Central Campus counted among the seven.

The importance of space and place was apparent in the BSU’s demand that Trotter to Central Campus: the students’ desire to move Trotter demonstrates that location is meaningful.  In the fields of art and archaeology of the ancient Mediterranean and Near East, we constantly discuss the ways in which locations matter and buildings constitute arguments. Depressingly, many examples we attempt to illuminate with our scholarship show how urban planning and monumental building in antiquity sought to exclude and enhance inequality, rather than to include, integrate, and support. A “classic” Roman example is the high (33 meter) rear wall of the Forum of Augustus in Rome. This firewall is usually seen as serving two related purposes. Built of stone with fire-resistant properties, it may have been intended to prevent any fires from the adjacent overcrowded, lower-class neighborhood of the Subura from spilling into imperial, public space. In addition, the wall blocked the Subura from view, hiding non-elite sights, smells, and people away from the public and especially elite viewers. Thus, this urban “amenity” excluded the Subura from its vision of Rome, keeping it physically separated, while creating differences in physical risk (fire) between the public forum and the Subura.

This phenomenon of spatial exclusion is, of course, not restricted to the ancient Mediterranean—it is a constant in modern periods also, although the specifics and mechanisms differ from place to place and by era. Countless projects, researchers, and activists in many fields have explored, questioned, and fought against this practice; for example, I recently ran across a project that maps residential segregation in 19thcentury American cities. And, indeed, as Austin McCoy noted to the Michigan Daily, the location of Trotter on Washtenaw, away from Central Campus, matches, spatially and physically, the marginal position that students of color experience at the University of Michigan. Centralizing an institution that has supported students of color at Michigan for more than 40 years is an encouraging move.

Relocating Trotter to Central Campus has both practical and symbolic value. On the practical side, Trotter will be closer to students on campus: stopping in or attending Trotter’s many events will be easier and quicker. Easier access, greater visibility, and closer connections to other units by virtue of its location on Central Campus will hopefully knit Trotter Multicultural Center—and its legacy of being an inclusive and supportive space (and the legacy of its namesake!)—even more deeply into the fabric of University life and help it serve more students.

On the symbolic side, the presence of Trotter on State Street makes a physical argument for the integral position of communities of color in the University (in the “heart” of campus) and marks a recognition of the need to support them through institutions like Trotter Center. Trotter has served for years as a “vibrant hub” for students (as Interim-Director Michael Swanigan describes it): it has a long, active history of offering programs aimed at fostering cultural dialogues, spaces for student organizations to meet, study spaces, and, especially, a supportive context for students to build relationships and thrive.

Trotter’s future location on State Street expresses a physical and concrete commitment by the University to include its diverse student communities and their experiences. The University community can do more than just hope that this promise is fulfilled — every person can and should work actively to make sure the University and the wider community uphold this promise of inclusion and support. We can all do this by holding the University accountable when it fails, by acting inclusively, and by engaging thoughtfully and actively in mission of an equitable university.

This archaeologist (writing this essay) is heartened by this move. It reminds us of the power of student voices (we sometimes lose sight of the possibilities of this kind of agency in archaeology!). In addition, a place — Trotter Center, with its long legacy of support for students — is being relocated to a Central Campus space that will help it better fulfill its mission: this is an exciting and positive example of putting spatial rhetoric into practice.

At the Kelsey Museum, construction of the new Trotter Center has meant the installation of vibration monitors (to ensure the safety of the collections), some temporary changes in access, and eager anticipation of our future neighbors. The Kelsey (including the Interdepartmental Program in Classical Art and Archaeology graduate students who lurk in Newberry Hall) is excited to welcome the Trotter Center to State Street!

 

VibrationMonitor

 

Note: My hearty thanks to Professor Stephen Ward and Trotter Interim-Director Michael Swanigan for speaking to me about Trotter Center.

Please see the following links (in addition to those embedded in the article) for more information about the construction project and for further reading (drawn upon in writing this post):

http://umaec.umich.edu/projects/major-projects/trotter-william-monroe-multicultural-center-new-multicultural-center/

https://trotter.umich.edu/trotter-on-state

https://trotter.umich.edu/history

“Trotter House Origins,” by James Tobin, in the Spring 2013 issue of LSA Magazine (pp. 35–36): https://lsa.umich.edu/content/dam/lsa-site-assets/documents/lsa-magazine/13spr-fullmag.pdf

“Researching the Truth,” by Dan Shine, in the Fall 2016 issue of Collections, the Bentley Historical Library magazine (p. 16):

http://bentley.umich.edu/news-events/magazine/researching-the-truth/

 

*Never fear, internet people! There is a webcam, so you can watch the work, too!

 

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A student’s summer internship

BY JULIA TRIEZENBERG, Kelsey Museum Summer Intern

Julia Triezenberg is a junior majoring in American culture and minoring in museum studies. She has looked for ways to be involved in the museum world, so she spent this past summer interning for the Registry Department at the Kelsey. During her time with us, Julia assisted with exhibitions, worked with researchers using the collections, and worked independently on a ceramics rehousing project. Her internship offered her diverse ways to explore a museum career.

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Over the course of my summer interning at the Kelsey, one thing is for certain: I spent a lot of time around pots. “Pots?” you ask. “What kind of pots?” “Do they keep better company than other kitchenware?”

Why yes, they do. I wasn’t surrounded only by pots, either — the project I worked on for over a month dealt with finding new homes for a variety of ceramics from excavation sites in Seleucia, Iraq. An extension of previous interns’ work, I reorganized and housed the ceramics from three of the Kelsey’s cabinets. While that might sound simple at first, it was no small task. Depending on the shape and size of the artifacts, there could be hundreds of artifacts in each drawer that had to be moved individually for their safekeeping. It was especially confusing for me in the beginning because the objects were quite mixed up by shape and size when I began.

With this in mind, I decided to move the ceramics between the three cabinets based on their size and function to see how I could improve future organization. I was able to condense space in quite a few of the drawers, which proved especially helpful as the Kelsey prepares to officially accession some ceramic objects from the Toledo Museum of Art. Final steps included editing the Kelsey’s new database to reflect my changes and leaving behind my procedure and advice to future interns’ work with the collection.

Rehousing these ceramics was one of many things I did while at the Kelsey, but it was a project that gave me specific opportunities to formulate my own plan about the reorganization and work independently to get it done. Other college students spent their summer lifeguarding poolside or backpacking through the Rocky Mountains. This is what I spent my summer doing — and I couldn’t have been happier about it.

 

 

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Student research on university excavations at Dimé, Egypt, 1931–1932

by Bianca Gallina and Josiah Olah, U-M students

Through the Undergraduate Research Opportunity Program (UROP) we each joined Professor Arthur Verhoogt’s research project in the fall of 2016. We were interested in the documentation of an excavation at Dimé, Egypt, that lasted only a single field season, from 1931 to 1932. Because current archaeologists are revisiting this site, our goal has been to digitize the Dimé material such as field notes, triangulation points, and maps both hand drawn and printed. After we exhausted materials at the Bentley Historical Library we contacted the Kelsey Museum for assistance. With immense help from Museum Collections Manager Sebastián Encina, we began continuing our research with the Kelsey’s archives. Since then our project has continually been aided by the Kelsey Museum from both their staff and the materials made available to us. The materials we have been digitizing from the Kelsey will be shared with and examined by the archaeologists who have been excavating Dimé recently and will be used as a tool to further their research as well.

Sebastián Encina has assisted us repeatedly in our research with the Kelsey archives. He assisted us in not only the digitization of these maps and documents, but has also helped us obtain valuable experience in how to research efficiently and effectively. Through our research at the Kelsey each of us now has a far greater understanding in scanning documents to TIF files for dense pixel quality, the process of adding and amending metadata to digitized documents, using Photoshop, moving material into a database format, and improving the methods we used in researching these documents.

Aside from the many new archival research skills we acquired, we also were introduced to much of the Kelsey museum staff as well as the Clark Library staff after visiting the map library to scan the largest maps we found. The museum resources we have been able to utilize, including people and technology, have allowed for complete student engagement and a unique opportunity to further our research in this area. With the help of the Kelsey’s resources we created a poster presentation for the UROP symposium and also presented our research during the Department of Classical Studies Research Symposium. The work we have done so far at the Kelsey has been a wonderful opportunity to further our academic experiences on a professional level.

We are extremely thankful for all that the Kelsey has provided to us and added in our research project. We strongly recommend future students to contact the Kelsey and if possible utilize its vast resources to improve their own research and to gain truly unique and valuable experience in the museum’s fields of study. Each of our first years at the University of Michigan have been fantastic academic experience made in a large part by the Kelsey Museum.

 

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Here we are presenting our work at the UROP Symposium

Student research on university excavations at Dimé, Egypt, 1931–1932 Read More »

IPCAA Conservation Workshop

CAROLINE ROBERTS, Conservator

Suzanne and I had a great time hosting our third annual IPCAA Conservation Workshop series. We’ve designed the workshops to give graduate students of classical archaeology hands-on experience with field conservation tools and techniques. This spring we covered ceramics conservation and preventive conservation. Students learned about agents of deterioration, ceramic lifting and reconstruction, artifact storage best practices, and much more. We hope that the students will find these preservation strategies useful as they document, excavate and analyze artifacts and structures in the field this summer!

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Suzanne Davis shows students how to prepare Paraloid B-72.

 

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IPCAA students Drew Cabaniss and Zoe Jenkins reconstruct their pots using Coband strips and B-72.

 

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Suzanne Davis shows students how to pour a structural plaster fill.

 

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From the Archives 19 — April 2017

BY SEBASTIÁN ENCINA, Museum Collections Manager

Around the world, the Kelsey Museum is known as the home for the excavations at Karanis, which the University of Michigan conducted between 1924 and 1935. The collections and archives from this expedition continue to fascinate us, and they provide a wealth of information we continue to revisit through many projects. Scholars from everywhere look to the collections, both artifacts and archives, to further research and our understanding of Egypt under Roman power. Here in Ann Arbor, the collections play an important role with classes and exhibitions.

When Francis Kelsey was finding funding for the Karanis expedition, he was actually initiating a fund to excavate at multiple locations. In 1924, U-M went to Karanis, as well as Antioch and Carthage. These latter two sites turned out to have single-season excavations, as the focus was placed on Karanis due to its rich artifact and papyrological finds. U-M stayed there through 1935, when finally excavations were completed. However, the team did not excavate only at Karanis during this time, as they ventured to other sites while in Egypt. In 1931, the team went to Soknapaiou Nesos (Dimé), and in 1935 they excavated at Terenouthis. Each of these also turned out to be a single-season excavation due to a number of reasons.

Since 1931, the Kelsey has still housed the archives and artifacts from Dimé. Not nearly as plentiful as Karanis, it still provides a wealth of information for archaeologists working at Dimé today. These archives were deposited within the papers of the Karanis Expeditions, not even separated into their own collections. Because of the tremendous attention paid to Karanis, the Dime archives are not as often studied.

Over the past academic year, Classics professor Arthur Verhoogt made an effort to focus on Dimé again. Prof. Verhoogt worked with two UROP students, Bianca Gallina and Josiah Olah, to revisit this collection, study what they could within the Kelsey as well as Bentley Historical Library. The two students scoured the letters, papers, drawings, and maps, and made note of what they found that would be useful to researchers.

For this month’s From the Archives, we present some of the items they digitized. Much like Karanis, the excavations at Dime resulted in some impressive maps. These will likely look familiar to some readers, as the style and look of these maps are similar to those from Karanis. The maps include triangulation points, cross sections, and overview of the excavation site. Having these on hand will assist us in understanding the work carried out at Dime nearly 90 years ago. This is even more important to our colleagues who continue working at the site. This Spring term, the students will continue digitizing more archival materials, including house drawings. In Autumn, the Dime excavators will visit Ann Arbor to further research the materials housed here. By then, we hope to have everything digitized to provide even greater access.

From the Archives 19 — April 2017 Read More »

A student’s perspective

BY PAIGE DE RUE, Kelsey Registry Intern and Major in Classical Archaeology and Anthropology

This past fall semester has been truly an exciting experience since I was provided with the awesome opportunity to work as an intern for the Kelsey Registry. Having experience working with a paleontological museum collection, I was familiar with some basic collections etiquette, but nothing could have prepared me for how thrilled I was to be working with archaeological material- my field of interest and study. My first day as an intern, I was a little intimidated to be working in such a pristine and restricted environment. However, I adjusted to this new environment just fine and focused my attention more on working with the collections, which was the best part of the internship of course! Working hands-on with the artifacts, I was often responsible for pulling objects needed for research or class use and returning them to their permanent location once they were no longer needed. I did an inventory of a couple cabinets and assisted with condition reports for a portion of loaned artifacts. Sometimes my help was needed for class visits to assist in watching the objects and ensuring their proper handling by students. This internship also taught me how vital a database system is to such a large collection. The database is essential for finding any artifact in the collection. It keeps track of temporary and permanent locations, gives you a history of where the artifacts have been in the past, and so much more.

A project I completed by the end of the semester involved reorganizing a portion of the collection in permanent storage. This project required extensive planning before any physical movement could take place in order to ensure a manageable project and safe handling of artifacts in drawers. I helped the collection become more consolidated and easily accessible by combining worked bone artifacts into one cabinet. I feel very proud to know that I have helped the future of the collection and that I was able to reorganize some artifacts in such a way that makes them better accessible for researchers, class use, and the conservators.

Without this internship experience, I do not think my long-term career goals would be the same as of today. The Kelsey Registry has shown me that I thoroughly enjoy working with archaeological collections in the museum setting versus working with archaeological material in the field. In my future, I hope to be working with museums collections and I know I will forever be thankful for my great experience as an intern here at the Kelsey!

 

 

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