Craft and Aesthetics in Byzantine and Early Islamic Textiles
Textiles counted among the most valuable category of luxury objects circulating in the Sasanian, Byzantine, and early Islamic periods (7th-9th centuries). They played a key role in transmitting visual motifs in a wide geographic zone, and over many centuries. This presentation explores a number of examples of such luxury textiles held in the Dumbarton Oaks Collections and also argues that technology played a major role in shaping their visual aesthetics.
Bühl, Gudrun, Sumru Belger Krody, and Elizabeth Dospěl Williams. Woven Interiors: Furnishing Early Medieval Egypt. Washington, DC: The George Washington University Museum and The Textile Museum, 2019.
“Essays on Liminal Fabric: Byzantine and Early Islamic Furnishing Textiles,” in Catalogue of the Textiles in the Dumbarton Oaks Byzantine Collection, ed. Gudrun Bühl and Elizabeth Dospěl Williams (Washington, DC, 2019).
Golombek, Lisa. “The Draped Universe of Islam,” in Priscilla P. Soucek, ed., Content and Context of Visual Arts in the Islamic World, 25-38 (University Park, PA, Pennsylvania State University Press, 1988).
Textile fragments in this presentation video:
Elizabeth Dospěl Williams, “Craft and Aesthetics in Byzantine and Early Islamic Textiles,” Khamseen: Islamic Art History Online, published 19 October, 2020.
Elizabeth Dospěl Williams is Assistant Curator at the Byzantine Collection at the Dumbarton Oaks Research Library and Collection. She recently co-curated two exhibitions on textiles, Woven Interiors: Furnishing Early Medieval Egypt in collaboration with the Textile Museum and Ornament: Fragments of Byzantine Fashion at Dumbarton Oaks. She received her Ph.D. from the Institute of Fine Arts, New York University, focusing on jewelry, dress practices, and attitudes towards adornment in the Byzantine and early Islamic periods.