In her debut novel, The Wild Birds (Rare Bird Books, 2018), author Emily Strelow interrogates what it means to be “wild” by layering the word’s many meanings onto palpable, empathic, and deeply-flawed characters, all who live among the diverse and wondrous environs of the American West.
“Movies work,” Hannah Ensor’s speaker posits, “because we’ve forgotten // that even when someone is an antagonist / we’re not supposed to be happy / when they die. […] Because babies are cute and also terrifying. […] Many movies work because of romantic love.” One
Professor James Winn, who taught in the University of Michigan’s English Department from 1983-1998, passed away yesterday. MQR Editor Emeritus Laurence Goldstein remembers James as “a complex, provocative figure and a brilliant conversationalist,” and describes his essay, “The Beatles as Artists,” as a “standard reference
Today we revisit work by 2018 The Laurence Goldstein Prize winner Jasmine V. Bailey. Bailey’s poem “This is Not a Poem About Leah, Let Alone Zilpah and Bilhah,” appeared in the Summer 2018 issue of MQR and was selected by Raymond McDaniel. It’s impossible to disregard the authority
Squirting Sriracha onto Everything: A Review of Michael Earl Craig’s “Woods and Clouds Interchangeable”
Early in Michael Earl Craig’s Woods and Clouds Interchangeable, forthcoming from Wave Books, there’s a poem that I would argue serves as key to reading the book—and Craig’s work overall. Specifically, it is the first stanza of “The Rabbit,” the collection’s third poem: I remember