Tariq’s Heed the Hollow is a humorous, erotic, and stunningly heartbreaking engagement with a language that has forcefully made queer black bodies and voices invisible.
But golden eras—like edens—end. Even the magic of Prospero’s island, we assume, departs with him, for better or worse. For Sugar Island, much like Prospero’s, the beginning of the final days came with a shipwreck.
You see how much work we have ahead of us-we still have that country to find, and we still have its stories to tell.
“Movies work,” Hannah Ensor’s speaker posits, “because we’ve forgotten // that even when someone is an antagonist / we’re not supposed to be happy / when they die. […] Because babies are cute and also terrifying. […] Many movies work because of romantic love.” One
Jacques J. Rancourt’s new chapbook In the Time of PrEP (Beloit Poetry Journal, 2018) is a stunning exploration of what it means to live as a queer man today “on the other side of catastrophe,” a generation after the AIDS crisis.