Hopwood Room – Page 2 – Michigan Quarterly Review

Hopwood Room

Somatic Pinging: An Interview with Hannah Ensor

“Movies work,” Hannah Ensor’s speaker posits, “because we’ve forgotten // that even when someone is an antagonist / we’re not supposed to be happy / when they die.”

Somatic Pinging: An Interview with Hannah Ensor Read More »

“Movies work,” Hannah Ensor’s speaker posits, “because we’ve forgotten // that even when someone is an antagonist / we’re not supposed to be happy / when they die.”

White Spring 1963 by Ernst Wilhelm Nay painting, abstract with yellow and white circles

“Obit,” by Victoria Chang

After my mother died, I looked at a photo where she had moved into assisted living from the ER. Her oxygen tube in her nose, two small children standing on each side. Her hands around their hands pulled tightly to her chest, the chorus of knuckles still housed, white like stones, soon to be freed, soon to be splashing like horses.

“Obit,” by Victoria Chang Read More »

After my mother died, I looked at a photo where she had moved into assisted living from the ER. Her oxygen tube in her nose, two small children standing on each side. Her hands around their hands pulled tightly to her chest, the chorus of knuckles still housed, white like stones, soon to be freed, soon to be splashing like horses.

in the time of prep by jacques j. rancourt four image collage with a kid playing with pills next to two birds

To See More Clearly: A Review of Jacques Rancourt’s “In the Time of PrEP”

Nodding to Gabriel Garcia Marquez’s Love in the Time of Cholera, Rancourt’s chapbook engages with the devastating effect of disease on love and on collective and personal memory.

To See More Clearly: A Review of Jacques Rancourt’s “In the Time of PrEP” Read More »

Nodding to Gabriel Garcia Marquez’s Love in the Time of Cholera, Rancourt’s chapbook engages with the devastating effect of disease on love and on collective and personal memory.

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