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“One More Part of Clarity”: James Turrell at the Guggenheim

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Indoors, examining lamps and peering through windows, I recall the James Turrell exhibition I saw last summer at the Guggenheim. I am starting to feel like I am crawling through a pinhole, so I am happy to remember my way out of the house.

“One More Part of Clarity”: James Turrell at the Guggenheim Read More »

Indoors, examining lamps and peering through windows, I recall the James Turrell exhibition I saw last summer at the Guggenheim. I am starting to feel like I am crawling through a pinhole, so I am happy to remember my way out of the house.

The Cross or The Pill

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There is no amount of being a privileged do-gooder that will do anyone any good if people can’t respectfully co-exist without entirely erasing each other—physically, geographically, economically, psychically—in the name of progress.

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There is no amount of being a privileged do-gooder that will do anyone any good if people can’t respectfully co-exist without entirely erasing each other—physically, geographically, economically, psychically—in the name of progress.

Visibility

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* Oksana Lutsyshyna *
Until recently, I have belonged to an invisible nation. The world saw Ukraine as part of Russia, and there was nothing to be done about it. But now, things start to change.

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* Oksana Lutsyshyna *
Until recently, I have belonged to an invisible nation. The world saw Ukraine as part of Russia, and there was nothing to be done about it. But now, things start to change.

Tim Powers: Below the Surface

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* Robert Sparrow Jones *

“Tim Powers: Below the Surface” is a quiet meditation on the mundane and intimate space of sleep. His source of investigation is the philosophical and existential oppositions that manifest themselves in the industrial materials he uses. The theme of the unconscious is carried through in the ethereal hues inherent to polystyrene and latex, which collectively invite the viewer into a meditative space. But what stirs this exhibit are the oppositions Powers designates in the details. They are full of physically engaging contradictions that lure you inside the work. And while dreams themselves remain nameless; a sustaining eternal question about what makes our own landscape lingers.

Tim Powers: Below the Surface Read More »

* Robert Sparrow Jones *

“Tim Powers: Below the Surface” is a quiet meditation on the mundane and intimate space of sleep. His source of investigation is the philosophical and existential oppositions that manifest themselves in the industrial materials he uses. The theme of the unconscious is carried through in the ethereal hues inherent to polystyrene and latex, which collectively invite the viewer into a meditative space. But what stirs this exhibit are the oppositions Powers designates in the details. They are full of physically engaging contradictions that lure you inside the work. And while dreams themselves remain nameless; a sustaining eternal question about what makes our own landscape lingers.

What Stinks?

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* Lillian Li *

I eat the stinky tofu on my second day in Beijing, passing up two metal carts before finally biting the bullet at a stand in Wangfujing. I hand over ten kuai and watch as the vendor first deep-fries the tofu, and then ladles the golden cubes into a grey gravy. Then he scoops the wet tofu into a cup, spoons a dollop of hot chili paste on top, and presents the nightmare sundae to me with a long toothpick as my only utensil.

What Stinks? Read More »

* Lillian Li *

I eat the stinky tofu on my second day in Beijing, passing up two metal carts before finally biting the bullet at a stand in Wangfujing. I hand over ten kuai and watch as the vendor first deep-fries the tofu, and then ladles the golden cubes into a grey gravy. Then he scoops the wet tofu into a cup, spoons a dollop of hot chili paste on top, and presents the nightmare sundae to me with a long toothpick as my only utensil.

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