essay collection – Michigan Quarterly Review

essay collection

Cover of Elaine Castillo's "How To Read Now" set over a red background

Beyond the Page: Decolonial Reading in How To Read Now

Before the stage at Pittsburgh’s City of Asylum, I scribbled notes while Elaine Castillo crossed her legs and shared excerpts from her latest essay collection, How to Read Now. Under the soft spotlights, her critical reflections and sharp sarcasm captivated the audience. I found myself humming and nodding in agreement as Castillo deftly articulated many […]

Beyond the Page: Decolonial Reading in How To Read Now Read More »

Before the stage at Pittsburgh’s City of Asylum, I scribbled notes while Elaine Castillo crossed her legs and shared excerpts from her latest essay collection, How to Read Now. Under the soft spotlights, her critical reflections and sharp sarcasm captivated the audience. I found myself humming and nodding in agreement as Castillo deftly articulated many

Ideal Suggestions front cover collage

Rupture, Revelation, and Reading-as-Being: On Selah Saterstrom’s “Ideal Suggestions”

It isn’t the answers of healing and redemption that Saterstrom celebrates, but rather the questions themselves, which forever circle overhead in the rapturous, uncertain, electric, and paradoxical present.

Rupture, Revelation, and Reading-as-Being: On Selah Saterstrom’s “Ideal Suggestions” Read More »

It isn’t the answers of healing and redemption that Saterstrom celebrates, but rather the questions themselves, which forever circle overhead in the rapturous, uncertain, electric, and paradoxical present.

Horizontal Knowledge: Tom Sleigh’s “The Land Between Two Rivers”

The Land Between Two Rivers calls to mind James Agee’s “Let Us Now Praise Famous Men” in that both books were written by “amateurs”—both Sleigh and Agee are/were first and foremost literary writers, yet their books are works of journalism.

Horizontal Knowledge: Tom Sleigh’s “The Land Between Two Rivers” Read More »

The Land Between Two Rivers calls to mind James Agee’s “Let Us Now Praise Famous Men” in that both books were written by “amateurs”—both Sleigh and Agee are/were first and foremost literary writers, yet their books are works of journalism.

On “Curiouser and Curiouser”: An Interview with Nicholas Delbanco

“Music, the visual arts, and, predominantly, the writing of books have all been enduring interests, and the arrangement of these essays — long, brief, long, brief, long — is meant to mirror those concerns.”

On “Curiouser and Curiouser”: An Interview with Nicholas Delbanco Read More »

“Music, the visual arts, and, predominantly, the writing of books have all been enduring interests, and the arrangement of these essays — long, brief, long, brief, long — is meant to mirror those concerns.”

On “All The Lives I Want”: An Interview with Alana Massey

“I think that I have always resisted the idea of objective cultural criticism in a vacuum. The subject lends itself to drawing connections to yourself — when I look at someone like Britney Spears, it isn’t just at the level of public scrutiny.”

On “All The Lives I Want”: An Interview with Alana Massey Read More »

“I think that I have always resisted the idea of objective cultural criticism in a vacuum. The subject lends itself to drawing connections to yourself — when I look at someone like Britney Spears, it isn’t just at the level of public scrutiny.”

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