interview – Page 22 – Michigan Quarterly Review

interview

“Where the Hell Did My Memory Go?” An Interview with Lori Racicot

“When working with or caring for someone with health or memory issues, the situation is often variable and fluid, and can change without warning. Caregivers need to be flexible. That’s how I approached this series of paintings: fluid and flexible, while using a variety of techniques to make marks on the paper.”

“Where the Hell Did My Memory Go?” An Interview with Lori Racicot Read More »

“When working with or caring for someone with health or memory issues, the situation is often variable and fluid, and can change without warning. Caregivers need to be flexible. That’s how I approached this series of paintings: fluid and flexible, while using a variety of techniques to make marks on the paper.”

dzanc books collage with michelle dotter headshot

Essential Enthusiasm: An Interview with Michelle Dotter of Dzanc Books

“Experimental literary fiction appeals to a smaller subset of readers than more traditional commercial fiction, and being a small, agile, independent press means we can publish a wider range of books without taking a big financial risk each time.”

Essential Enthusiasm: An Interview with Michelle Dotter of Dzanc Books Read More »

“Experimental literary fiction appeals to a smaller subset of readers than more traditional commercial fiction, and being a small, agile, independent press means we can publish a wider range of books without taking a big financial risk each time.”

paul muldoon head shot

The Invention of the I: A Conversation with Paul Muldoon

“Just historically, a lot of poets have had a bad time in their forties. Writers start publishing in their late twenties or early thirties—I think that’s when most poets probably begin to publish. I started a little bit earlier than that. At some level, I feel as though I’ve had very lucky innings, and I suppose I’m thinking about myself:  when is it going to stop, or has it already stopped? How am I going to keep myself honest?”

The Invention of the I: A Conversation with Paul Muldoon Read More »

“Just historically, a lot of poets have had a bad time in their forties. Writers start publishing in their late twenties or early thirties—I think that’s when most poets probably begin to publish. I started a little bit earlier than that. At some level, I feel as though I’ve had very lucky innings, and I suppose I’m thinking about myself:  when is it going to stop, or has it already stopped? How am I going to keep myself honest?”

angela morales head shot

The Space Between: An Interview with Kali VanBaale

“Families of victims are allowed to grieve openly and freely if they choose, because their loved one was exactly that: an innocent victim. Families of shooters don’t have the choice to grieve openly, because they not only must carry the burden of grief, but also blame.”

The Space Between: An Interview with Kali VanBaale Read More »

“Families of victims are allowed to grieve openly and freely if they choose, because their loved one was exactly that: an innocent victim. Families of shooters don’t have the choice to grieve openly, because they not only must carry the burden of grief, but also blame.”

lsa logoum logoU-M Privacy StatementAccessibility at U-M