interview – Page 29 – Michigan Quarterly Review

interview

“Together and by Ourselves”: An Interview with Alex Dimitrov

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“Night Call was such an important and personal project for me. Reading new poems to strangers in their most intimate space, whether that’s their bedroom or their living room or their kitchen.”

“Together and by Ourselves”: An Interview with Alex Dimitrov Read More »

“Night Call was such an important and personal project for me. Reading new poems to strangers in their most intimate space, whether that’s their bedroom or their living room or their kitchen.”

Odd Jobs #1: An Interview with Ruthie Luhnow

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“It was kind of the perfect confluence of viability and personal interest — I’ve wanted to write queer stories for a long time, and suddenly I found that there was a market for it.”

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“It was kind of the perfect confluence of viability and personal interest — I’ve wanted to write queer stories for a long time, and suddenly I found that there was a market for it.”

Curating Literati Cultura: An Interview with Hilary Gustafson

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“We’ve so enjoyed this process already—selecting books, working with publishers, authors, Wolverine Press, and assembling these unique collections. Our goal is simply to keep the program going, grow our subscriber base, and continue to provide signed first editions of the books we believe in.”

Curating Literati Cultura: An Interview with Hilary Gustafson Read More »

“We’ve so enjoyed this process already—selecting books, working with publishers, authors, Wolverine Press, and assembling these unique collections. Our goal is simply to keep the program going, grow our subscriber base, and continue to provide signed first editions of the books we believe in.”

On “Floating, Brilliant, Gone”: An Interview with Franny Choi

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“I think so much of engaging in poetry (and in all art, at least art that’s not terrible and designed to preserve structures of power and oppression) is an exercise in empathy. Maybe at its base, poetry is paying close attention and then putting intentional language to communicate to another person what you’ve found.”

On “Floating, Brilliant, Gone”: An Interview with Franny Choi Read More »

“I think so much of engaging in poetry (and in all art, at least art that’s not terrible and designed to preserve structures of power and oppression) is an exercise in empathy. Maybe at its base, poetry is paying close attention and then putting intentional language to communicate to another person what you’ve found.”

Sharing the Pain, Sharing the Process: An Interview with Keith Lesmeister

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“I think open endings require a little more work of the reader; that, when a scene or story is left open, the reader gets to imagine for him/herself how things might’ve turned out.”

Sharing the Pain, Sharing the Process: An Interview with Keith Lesmeister Read More »

“I think open endings require a little more work of the reader; that, when a scene or story is left open, the reader gets to imagine for him/herself how things might’ve turned out.”

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