Storytelling – Michigan Quarterly Review

Storytelling

Daniel Alarcon head shot

Latin American Storytelling in the Trump Era: An Interview with Daniel Alarcón

“One thing that I like about Radio Ambulante is how broad the experiences are, how different they are, and how we can narrate life in these different places, and satisfy our curiosity about the differences between these places. The specificity of the stories we tell I find to be one of the most rewarding parts of the project.”

Latin American Storytelling in the Trump Era: An Interview with Daniel Alarcón Read More »

“One thing that I like about Radio Ambulante is how broad the experiences are, how different they are, and how we can narrate life in these different places, and satisfy our curiosity about the differences between these places. The specificity of the stories we tell I find to be one of the most rewarding parts of the project.”

ferns in a forest photograph

“Of Breadcrumbs and Constellations,” by Lindsey Drager

So far their task has been simple. While a narrative might stray a bit in one telling, or embellish or neglect a detail in another, they’ve received and recorded the stories without substantial disagreement. But now, in this moment, a woman sits in front of the Grimm Brothers, telling them a story of siblinghood that offers a bit of concern.

“Of Breadcrumbs and Constellations,” by Lindsey Drager Read More »

So far their task has been simple. While a narrative might stray a bit in one telling, or embellish or neglect a detail in another, they’ve received and recorded the stories without substantial disagreement. But now, in this moment, a woman sits in front of the Grimm Brothers, telling them a story of siblinghood that offers a bit of concern.

Pas de Deux: Amy Fusselman’s “Idiophone”

Idiophone is a dance between Fusselman and her reader; Fusselman is always fully leading, sometimes at a stately pace, but most often at one that is allegro, even allegro vivace.”

Pas de Deux: Amy Fusselman’s “Idiophone” Read More »

Idiophone is a dance between Fusselman and her reader; Fusselman is always fully leading, sometimes at a stately pace, but most often at one that is allegro, even allegro vivace.”

Writing My Way into Jewishness

The thing about identity is, people are always trying to define who you are for you, to tell you what you mean. And we should be interrogating our positions in society, our privilege relative to our oppression, but we should also be skeptical of those who insist we are definitively one thing or another.

Writing My Way into Jewishness Read More »

The thing about identity is, people are always trying to define who you are for you, to tell you what you mean. And we should be interrogating our positions in society, our privilege relative to our oppression, but we should also be skeptical of those who insist we are definitively one thing or another.

lsa logoum logoU-M Privacy StatementAccessibility at U-M