short stories – Michigan Quarterly Review

short stories

Rows of people wearing red and white on Singapore National Day Parade

The Besieged Kingdom: A Review of Inez Tan’s This is Where I Won’t Be Alone

There is no titular story in Inez Tan’s debut collection This is Where I Won’t Be Alone. As an American reader, I first considered this title a statement of theme or artistic destination. But if you’re Singaporean, then you know the title as an excerpt from a popular 1998 song called “Home,” written by Dick Lee for the first in a series of songs Singapore’s National Day Parade, celebrated on August 9th of each year.

The Besieged Kingdom: A Review of Inez Tan’s This is Where I Won’t Be Alone Read More »

There is no titular story in Inez Tan’s debut collection This is Where I Won’t Be Alone. As an American reader, I first considered this title a statement of theme or artistic destination. But if you’re Singaporean, then you know the title as an excerpt from a popular 1998 song called “Home,” written by Dick Lee for the first in a series of songs Singapore’s National Day Parade, celebrated on August 9th of each year.

this is where I wont be alone by inez tan cover collage aside the author's headshot

On Writing Place: An Interview with Inez Tan

“When I teach, my analogy is that fiction is a huge tree while poetry is a bonsai. It’s immensely helpful to toggle between working on different scales. Fiction helps me infuse my poems with narrative. Poetry makes my fiction more deft, descriptive, and concise.”

On Writing Place: An Interview with Inez Tan Read More »

“When I teach, my analogy is that fiction is a huge tree while poetry is a bonsai. It’s immensely helpful to toggle between working on different scales. Fiction helps me infuse my poems with narrative. Poetry makes my fiction more deft, descriptive, and concise.”

white dancing elephants by chaya bhuvaneswar collage aside the author's photo

The Language of Difficult Stories: An Interview with Chaya Bhuvaneswar

“I do feel (and this helped me persevere, in completing the collection) that stories of trauma endured and resisted by people of color, particularly women of color, have been silenced so many times that there is value in telling these stories, however imperfectly.”

The Language of Difficult Stories: An Interview with Chaya Bhuvaneswar Read More »

“I do feel (and this helped me persevere, in completing the collection) that stories of trauma endured and resisted by people of color, particularly women of color, have been silenced so many times that there is value in telling these stories, however imperfectly.”

maxim loskutoff head shot aside the front cover of come west and see that has an image of a black bear on it

“How Hard It Is for Anyone to Find a Place in America”: An Interview with Maxim Loskutoff

“Half the stories are about people in cities or in urban centers of the West who are only kind of glancingly aware of the anger and the occupation that’s going on around them.”

“How Hard It Is for Anyone to Find a Place in America”: An Interview with Maxim Loskutoff Read More »

“Half the stories are about people in cities or in urban centers of the West who are only kind of glancingly aware of the anger and the occupation that’s going on around them.”

On “The Book of Wonders”: An Interview with Douglas Trevor

“Sometimes people choose the safety of seclusion and loneliness over the dangers associated with new experiences. I was interested, in this collection, in examining this kind of choice.”

On “The Book of Wonders”: An Interview with Douglas Trevor Read More »

“Sometimes people choose the safety of seclusion and loneliness over the dangers associated with new experiences. I was interested, in this collection, in examining this kind of choice.”

lsa logoum logoU-M Privacy StatementAccessibility at U-M