short stories – Page 2 – Michigan Quarterly Review

short stories

Something Familiar in the Astonishing: An Interview with Michael Andreasen

“I think that most realism tries to show us something astonishing in the familiar and mundane. The fantastic, on the other hand, tries to show us something familiar and mundane in the astonishing.”

Something Familiar in the Astonishing: An Interview with Michael Andreasen Read More »

“I think that most realism tries to show us something astonishing in the familiar and mundane. The fantastic, on the other hand, tries to show us something familiar and mundane in the astonishing.”

On “Outside Is the Ocean”: An Interview with Matthew Lansburgh

“Writing is, in many ways, an act of faith. You have to believe in yourself. You have to work towards a goal that may, at first, seem inaccessible and far-fetched.”

On “Outside Is the Ocean”: An Interview with Matthew Lansburgh Read More »

“Writing is, in many ways, an act of faith. You have to believe in yourself. You have to work towards a goal that may, at first, seem inaccessible and far-fetched.”

“The Maze Becomes Your Life”: An Interview with Alex McElroy

“It’s becoming especially important for men to actively work toward envisioning and embodying versions of masculinity distinct from the patriarchal manhood reinforced by much of American culture.”

“The Maze Becomes Your Life”: An Interview with Alex McElroy Read More »

“It’s becoming especially important for men to actively work toward envisioning and embodying versions of masculinity distinct from the patriarchal manhood reinforced by much of American culture.”

Sharing the Pain, Sharing the Process: An Interview with Keith Lesmeister

“I think open endings require a little more work of the reader; that, when a scene or story is left open, the reader gets to imagine for him/herself how things might’ve turned out.”

Sharing the Pain, Sharing the Process: An Interview with Keith Lesmeister Read More »

“I think open endings require a little more work of the reader; that, when a scene or story is left open, the reader gets to imagine for him/herself how things might’ve turned out.”

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