“With small presses, I definitely feel like we’re all in this together and my experience has been that we are a community rather than a group of competitors.”
Going Micro: An Interview with Anthony Frame of Glass Poetry Read More »
“With small presses, I definitely feel like we’re all in this together and my experience has been that we are a community rather than a group of competitors.”
“It can be lonely to work from a liminal space, but I think it allows me to go deeper, to uncover the unnameable, the wild. Even though it can be uncomfortable, I’m most comfortable working there.”
Uncovering the Unnameable: An Interview with Elizabeth Schmuhl Read More »
“It can be lonely to work from a liminal space, but I think it allows me to go deeper, to uncover the unnameable, the wild. Even though it can be uncomfortable, I’m most comfortable working there.”
“Experimental literary fiction appeals to a smaller subset of readers than more traditional commercial fiction, and being a small, agile, independent press means we can publish a wider range of books without taking a big financial risk each time.”
Essential Enthusiasm: An Interview with Michelle Dotter of Dzanc Books Read More »
“Experimental literary fiction appeals to a smaller subset of readers than more traditional commercial fiction, and being a small, agile, independent press means we can publish a wider range of books without taking a big financial risk each time.”
“Families of victims are allowed to grieve openly and freely if they choose, because their loved one was exactly that: an innocent victim. Families of shooters don’t have the choice to grieve openly, because they not only must carry the burden of grief, but also blame.”
The Space Between: An Interview with Kali VanBaale Read More »
“Families of victims are allowed to grieve openly and freely if they choose, because their loved one was exactly that: an innocent victim. Families of shooters don’t have the choice to grieve openly, because they not only must carry the burden of grief, but also blame.”
“People didn’t want Haitians teaching liberation to the rest of the world. All of those blockades from first-world countries left Haiti without infrastructure, without tools, without hospitals and schools. Here’s your freedom, but you’re on your own. Learning about that history was how I was introduced to the Negritude Poets.”
The Persistence of Stars: An Interview with Toussaint St. Negritude Read More »
“People didn’t want Haitians teaching liberation to the rest of the world. All of those blockades from first-world countries left Haiti without infrastructure, without tools, without hospitals and schools. Here’s your freedom, but you’re on your own. Learning about that history was how I was introduced to the Negritude Poets.”
