“Polite Company”


“Polite Company” (1890s)
by Charles Jay “CJ” Taylor (1855-1929)
10 x 13 inches, ink on board
Coppola Collection

Taylor originally studied law at Columbia University, then moved to art at the Art Students League, the National Academy of Design (with Eastman Johnson) and City College of New York, as well as in London and Paris. Taylor painted hundreds of landscape pictures in oil, which he sold to dealers and at auction. He started contributing illustrations to the New York’s Daily Graphic in 1873, and also to magazines such as Harpers, Puck and Punch.

His book ‘Taylor Girls’ gained him international acclaim. He returned to painting in the later part of his life, and spent 18 years as the head of the Painting and Decoration Department in the College of Fine Arts at the Carnegie Institute of Technology (the Carnegie Alma Mater song is his composition).

“The Tearoom Diners”


“The Tearoom Diners” (Among Us Mortals, 10/8/1950)
by W.E. (William Ely) Hill (1887-1962)
18.5 x 15 in., ink on board
Coppola Collection

W.E. (William Ely) Hill (1887-1962) was known for his masterful black and white Sunday page, “Among Us Mortals,” sometimes referred to as the Hill Page. Please see the Gallery description for more about Hill.

From this October 8, 1950 edition, titled “The Tearoom Diner” some quotes:

“ “Is ten cents enough to tip? You know she never did bring us the extra butter we asked for.” “

“This is one of those intimate tearooms where the tables are so close that every nearby conversation can be overheard distinctly, and enjoyed by all. The stylish stout in the center is telling about poor Uncle Pete, who went to the refrigerator for some beer, and drank a bottle of benzine that happened to be there my mistake. The boys at the left are entranced.”

 

“Family Service”

“Family Service” (1880s)
by Samuel D Ehrhart (1862-1937)
4 x 5 in, ink on heavy board
Coppola Collection

American cartoonist and illustrator born in Pottsville, Pennsylvania, Ehrhart received his education in the New York City school system. Subsequently, he studied art in Munich. His work appeared in Harper’s Monthly (1878-79), Puck (1880, and 1888-1913), and Judge (1887). In 1920 and 1930 he reported his profession as artist and his birthplace as Pennsylvania to the Brooklyn, New York census-taker. He died in Brooklyn, New York on October 26, 1937.

“Some Capsules Contain Poison”


“Some Capsules Contain Poison” (October 3, 1982)
by Charles Phillip Bissell (1926 -)
10.5 x 13.5, ink and wash on board
Coppola Collection

In 1960, Boston Globe cartoonist Phil Bissell, working for $25 a day, was handed an assignment that would change his life—and the lives of fans of the brand-new AFL football team coming to Boston. “Sports editor Jerry Nason came to me and he said, ‘They’ve decided to call the team the Boston Patriots. You better have a cartoon ready for tomorrow’s edition.’” Bissel’s “Pat Patriot” cartoon was the Patriot’s logo from 1961-1992.

On Sept. 29, 1982, three people died in the Chicago area after taking cyanide-laced Tylenol at the outset of a poisoning spree that would claim seven lives by Oct. 1. The case has never been solved.

Food and Drug Administration officials hypothesized that the killer bought Extra-Strength Tylenol capsules over the counter, injected cyanide into the red half of the capsules, resealed the bottles, and sneaked them back onto the shelves of drug and grocery stores. The Illinois attorney general, on the other hand, suspected a disgruntled employee on Tylenol’s factory line.

Without a suspect, public outrage could have fallen squarely on Tylenol — the nation’s leading painkiller. Instead, by quickly recalling all of its products from store shelves, a move that cost Johnson & Johnson millions of dollars, the company emerged as another victim of the crime and one that put customer safety above profit.

Hundreds of copycat attacks involving Tylenol, other over-the-counter medications, and other products also took place around the United States immediately following the Chicago deaths.

The incidents led to reforms in the packaging of over-the-counter substances and to federal anti-tampering laws.

“Handcuffing Violence”


“Handcuffing Violence” (January 16, 1982)
by Charles Phillip Bissell (1926 -)
10.5 x 13.5, ink and wash on board
Coppola Collection

In 1960, Boston Globe cartoonist Phil Bissell, working for $25 a day, was handed an assignment that would change his life—and the lives of fans of the brand-new AFL football team coming to Boston. “Sports editor Jerry Nason came to me and he said, ‘They’ve decided to call the team the Boston Patriots. You better have a cartoon ready for tomorrow’s edition.’” Bissel’s “Pat Patriot” cartoon was the Patriot’s logo from 1961-1992.

January 16, 1982

Philip Cline, a former busboy, was found guilty on this date of murder and arson in a blaze at the Las Vegas Hilton that killed eight persons and injured 200.

Cline, 24, was found guilty of eight counts of murder and one count of arson. He is still serving eight consecutive life sentences.

“Electric Chair… just retain the death penalty”


“Electric Chair… just retain the death penalty” (December 1, 1982)
by Charles Phillip Bissell (1926 -)
9 x 14, ink and wash on board
Coppola Collection

In 1960, Boston Globe cartoonist Phil Bissell, working for $25 a day, was handed an assignment that would change his life—and the lives of fans of the brand-new AFL football team coming to Boston. “Sports editor Jerry Nason came to me and he said, ‘They’ve decided to call the team the Boston Patriots. You better have a cartoon ready for tomorrow’s edition.’” Bissel’s “Pat Patriot” cartoon was the Patriot’s logo from 1961-1992.

December 1, 1982

On this date, the first person to be sentenced under Connecticut’s revised capital punishment law was spared the death penalty and sentenced instead to life in prison. The convicted killer, John McGann, was convicted for the murder for hire of a man in 1981.

Under the new law, a “life sentence” is 60 years in prison with chance of release after 35 years.

Through various appeals, the case became noteworthy because intent on the part of McGann could not be established, and a retrial and conviction for conspiracy also ended up being reversed under a Double Jeopardy argument in 1990.

The Thing (2009)

The Thing (2009)
by Steve Rude (1956-)
11 x 14 in., ink, marker and watercolor on paper
Coppola Collection

I was in graduate school at UW-Madison (1978-82) when Madison natives Steve Rude and writer Mike Baron first published Nexus (1981). The local, Capital City imprint did not last long, and Nexus moved to Dark Horse Comics.

Rude’s interpretation of the Marvel Heroes looks straight out of the early 1960s, which is a good thing.

The Thing first appeared in Fantastic Four #1 in 1961, created by Jack Kirby and Stan Lee. The modular “Flying Bathtub” version of the FF’s fantasticar first appeared on the cover of FF #3.

“Dog Owner Blues”


“Dog Owner Blues” (Among Us Mortals, 05/18/1950)
by W.E. (William Ely) Hill (1887-1962)
18.5 x 15 in., ink on board
Coppola Collection

W.E. (William Ely) Hill (1887-1962) was known for his masterful black and white Sunday page, “Among Us Mortals,” sometimes referred to as the Hill Page. Please see the Gallery description for more about Hill.

From this May 18, 1950 edition, titled “Dog Owner Blues” some quotes:

“ ”Your dog Tags has such beautiful eyes.” This is always a safe remark when something pleasant has to be said about a pet dog. (The owners are flattered, but not Tags. He knows these people don’t mean it.”

“ ‘The only person Margot seems to dislike is our laundryman, and she’s nipped him twice. I tell him it’s his own fault. If he wouldn’t let her see that he’s afraid of her, she wouldn’t bite him.” Dog-walkers have lots to talk over.’

“A Big Catch”

“A Big Catch” (parts 1 & 2)
by Samuel D Ehrhart (1862-1937)
each 7 x 11 in, ink on heavy board
Coppola Collection

American cartoonist and illustrator born in Pottsville, Pennsylvania, Ehrhart received his education in the New York City school system. Subsequently, he studied art in Munich. His work appeared in Harper’s Monthly (1878-79), Puck (1880, and 1888-1913), and Judge (1887). In 1920 and 1930 he reported his profession as artist and his birthplace as Pennsylvania to the Brooklyn, New York census-taker. He died in Brooklyn, New York on October 26, 1937.

“Moose Call”

“Moose Call” (1890s)
by Charles Jay “CJ” Taylor (1855-1929)
6.25 x 7 inches, ink on board
Coppola Collection

Taylor originally studied law at Columbia University, then moved to art at the Art Students League, the National Academy of Design (with Eastman Johnson) and City College of New York, as well as in London and Paris. Taylor painted hundreds of landscape pictures in oil, which he sold to dealers and at auction. He started contributing illustrations to the New York’s Daily Graphic in 1873, and also to magazines such as Harpers, Puck and Punch.

His book ‘Taylor Girls’ gained him international acclaim. He returned to painting in the later part of his life, and spent 18 years as the head of the Painting and Decoration Department in the College of Fine Arts at the Carnegie Institute of Technology (the Carnegie Alma Mater song is his composition).