1944.12.07 “War Birthday Cake”
by Cyrus Cotton “Cy” Hungerford (1889-1983)
13 x 16 in., ink on paper
Coppola Collection

https://en.wikipedia.org/wiki/Cy_Hungerford

Hungerford worked for the Wheeling (West VA) Register before becoming editorial cartoonist for the Pittsburgh Sun for fifteen years from 1912. He joined the Pittsburgh Post-Gazette in 1927 and stayed there until his retirement in 1977.

On the second anniversary of the US entry into WW2, things had been moving in favor of the Allies. On June 6, the D-Day invasion ultimately led to the liberation of Paris in late August.

Hitler’s June troubles were compounded by a Russian counterattack, which drove 300 miles west to Warsaw, and killed, wounded or captured 350,000 German soldiers. By the end of August, the Russians had taken Bucharest. Estonia was taken within months, and Budapest was under siege by the end of the year.

One glimmer of light for Germany came in the Ardennes, in France, where the December 16 German counteroffensive – the Battle of the Bulge – killed 19,000 Americans and delayed the Allies’ march into Germany.

1942.06.17 “Well?…”
by C Berger (unknown)
13 x 22 in., ink and crayon on textured paper
Coppola Collection

No luck to date tracking down the artist “C Berger”… the art is nice with deep darks and big, bold lines.

Between June 16 and November 4, 1942, Maxwell had been commanding general of United States Army Forces in the Middle East, one of two U.S. Army commands in the Africa-Middle East Theater. Lieutenant General Frank M. Andrews superseded him on November 4. A month later Andrews told the chief of staff that Maxwell had “done a fine job” and that he had “vision and executive ability. . . The fly in the ointment is his morale which suffered a serious blow by reason of his loss of command of our forces in the Middle East.

On June 16, 1942, General Russell L. Maxwell was placed in command of the newly formed U.S. Army Forces in the Middle East (USAFIME), a unified program that was created to replace both the North African Mission in Cairo and the Iranian Mission in the Persian Corridor. American air troops arrived on June 25, after which time missions began against the Axis forces, particularly against the weakened supply lines into the region.

The U.S. Army’s Egypt–Libya Campaign ended in February 1943, when the Allied forces finally succeeded in driving all Axis forces out of Libya.

1939.07.29 “The Stargazers See an Omen in the Comet”
by Max P. Milians (1907-2005)
11 x 15 in., ink on board
Coppola Collection

Milians signed his cartoons with nine zeros (“millions”) as an underline. His work was syndicated across America from the 1930s up until the 1970s.

The 35P/Herschel–Rigollet is a periodic comet with an orbital period of 155 years. The quasi-mystic and mythic stories of a comet that was easily visible with field glasses, in late July of 1939, is combined here with the emerging trouble in Europe.

A sense of destiny is a clear part of the dictatorial spirit. They are not only sure they are on the right side of history; they are fated to be history, fulfilling a master plan and its duty.

In January 1936, Mussolini told a German envoy of how Nazi Germany and fascist Italy shared “a common destiny.” Mussolini described them as the ‘axis’ around which Europe would revolve.

The Pact of Steel (May 1939, also recorded as the “Pact of Friendship and Alliance between Germany and Italy”) was the formalization of the military and political alliance between Italy and Germany.

There is another full drawing on the back of this (see elsewhere), that comes from the same time period.

1939.07 “No Wonder They Hate Dictators”
by Max P. Milians (1907-2005)
11 x 15 in., ink on board
Coppola Collection

Milians signed his cartoons with nine zeros (“millions”) as an underline. His work was syndicated across America from the 1930s up until the 1970s.

A schoolboy’s remorse during the action of land-grabbing, power-mad dictators: you cannot keep up with your geography lessons because these guys keep redrawing the maps.

In the lead-up to WW2, the German-Italian alliance started moving their pieces around on the chessboard. Danzig and Czechoslovakia starting in March, Italian threats against Greece and the invasion and appropriation of Albania in April.

This piece was probably not published. It is located on the backside of a July 1939 drawing commemorating the fate and destiny of the alliance between Hitler and Mussolini.

1943.03.11 “African Dodger”
by Norbert B. Quinn (1902-1987)
8 x 11 in., ink on board
Coppola Collection

Born in Medford, MA, and educated at Boston College High School (1920) followed by taking classes at the Museum of Fine Arts school, Quinn was an artist for the Boston Globe for many years. He retired to Maine in 1967.

The campaign of 1943 opened strongly for the German army. Profiting from that temporarily favorable turn, Rommel was set up to utilize his central position between the two converging Allied armies to strike and cripple them separately and successively. If he could neutralize the First Army, he would have both hands free to tackle the Eighth Army, which had become thinned out as its lines of supply had lengthened.

The US, which included a French division, was confident, but at the end of January the Panzers overwhelmed the French garrison before American support could arrive. On Valentine’s Day, 1943, Rommel’s forces made a strong hit on the American forces and destroyed more than 100 tanks. Three days later, the German’s captured a set of American airfields. The tables started to turn thanks to some reserve strength on the side of the Allies, and Rommel broke off his attacks on February 22 and started to withdraw.

On March 6, when Rommel attacked again, his chance of striking with a superior force had vanished. The Allied reinforcements had nearly quadrupled their strength, and Rommel’s attack was brought to a standstill. And by March 17, 1943, the Allied offensive initiated a strong and coordinated attack, now under Patton’s direction.

1941.12.08 “The Pacific Dragon Shows Its Teeth”
unattributed
11 x 13 in., ink on paper
Coppola Collection

A series of events led to the attack on Pearl Harbor.

War between Japan and the United States had been a possibility that each nation’s military forces planned for in the 1920s, though real tension did not begin until the 1931 invasion of Manchuria by Japan.

Over the next decade, Japan expanded slowly into China, leading to the Second Sino-Japanese war in 1937. In 1940 Japan invaded French Indochina in an effort to embargo all imports into China, including war supplies purchased from the U.S. This move prompted the United States to embargo all oil exports, leading the Imperial Japanese Navy to estimate it had less than two years of bunker oil remaining and to support the existing plans to seize oil resources in the Dutch East Indies.

The Philippines, at that time an American protectorate, were also a Japanese target. The Japanese military concluded an invasion of the Philippines would provoke an American military response. Rather than seize and fortify the islands, and wait for the inevitable U.S. counterattack, Japan’s military leaders instead decided on the preventive Pearl Harbor attack, which they assumed would negate the American forces needed for the liberation and reconquest of the islands.

Later that same day [December 8th local time], the Japanese indeed launched their invasion of the Philippines.

1940.09.14 “Noise Terror Planes Descending on Confused Troop Columns”
by Norbert B. Quinn (1902-1987)
10 x 16 in., ink on board
Coppola Collection

Born in Medford, MA, and educated at Boston College High School (1920) followed by taking classes at the Museum of Fine Arts school, Quinn was an artist for the Boston Globe for many years. He retired to Maine in 1967.

Regardless of the topic, this is a really lovely piece of ink and wash art.

Probably the most iconic German aircraft during WWII, the Stuka dive bomber became the symbol of a string of successful campaigns in the early stages of the war.

The Wehrmacht seemed unstoppable in 1939, when Stukas swarmed the sky above Poland.

What specifically made these planes horrific were the two horns attached to the wings which produced a screeching sound once the aircraft was inbound for a strike. As the Stuka descended from the sky to drop its deadly load, the scream which accompanied it had a devastating effect on the morale of anyone who was on the ground.

The haunting horns were dubbed the “Jericho trumpets” by the Germans, who relied on the psychological effect of the noise to give them an edge against their opponents.

It was all for a propaganda effect.

The only problem with the Jericho Trumpets was that they affected the aerodynamics of the planes, causing enough drag to slow the plane down by 20 miles per hour and making them easier targets for defenders. Eventually, the sirens would be scrapped, and whistles were placed on the bombs to create the same psychological effect.

1940.02.05 “He Needs More Than A Cheering Section”
by Cyrus Cotton “Cy” Hungerford (1889-1983)
13 x 18 in., ink on paper
Coppola Collection

https://en.wikipedia.org/wiki/Cy_Hungerford

Hungerford worked for the Wheeling (West VA) Register before becoming editorial cartoonist for the Pittsburgh Sun for fifteen years from 1912. He joined the Pittsburgh Post-Gazette in 1927 and stayed there until his retirement in 1977.

During the early stages of World War II, the British and French Allies made a series of proposals to send troops to assist Finland against the Soviet Union in the Winter War, which started on 30 November 1939. The war was a consequence of the Molotov–Ribbentrop Pact, which put Finland into the Soviet sphere of influence. The plans involved the transit of British and French troops and equipment through neutral Norway and Sweden. The initial plans were abandoned due to Norway and Sweden declining transit through their land, fearing their countries would be drawn into the war.

In February 1940, a Soviet offensive broke through the Mannerheim Line on the Karelian Isthmus, exhausting Finnish defenses and forcing the country’s government to accept peace negotiations on Soviet terms. As the news that Finland might be forced to cede its sovereignty to the USSR, public opinion in France and Britain, already favorable to Finland, swung in favor of military intervention.

Finland’s defensive war against the Soviet invasion, lasting November 1939 to March 1940, came at a time when there was a military stalemate on the continent called the “Phony War.”

1944.06.06 “The Pit and the Pendulum”
by Gordon Smith
11 x 14 in., ink on board
Coppola Collection

The D-Day landings in June 1944, created a second-front and took the pressure off the Red Army and from that date they made steady progress into territory held by Germany.

This cartoon is attributed to the Boston Post, but I cannot track the artist, yet. At least the signature is clear.

1943.06.14 “The Triple: Sammie, To Joe, to Winnie”
by Albert Turner Reid (1873-1958)
8 x 11 in., pencil on paper
Coppola Collection

Albert Reid sold his first political cartoon to the Topeka Mail and Breeze in 1896. After this first cartoon, his work began to appear regularly in the Kansas City Journal, Kansas City Star, Chicago Record, the New York Herald, and the Saturday Evening Post.

Reid was a successful businessman, a staunch supporter of the American farmer, a composer, a painter of murals and a teacher of art. The art school which he started with George Stone in Topeka was the beginning of Washburn’s Art Department. If he had been active in larger political centers, he probably would have received even more recognition. A large collection of his work is in the collections of the Kansas Historical Society.

Drawn on the back of some stationary from the Hotel Carteret in NYC (still there, in Chelsea, with $3K/month studio apartments for rent), a lovely sketch of a nice analogy using a baseball diamond to record a triple play. Uncle Sam takes out Tojo, who was on a Sneak Run (Pearl Harbor); Joe Stalin takes out Hitler; and Churchill takes out Mussolini. A cheer to Buy Bonds shows in the stands, with Chinese Nationalist Premiere Chiang Kai-Shek, just before his installation as Nationalist President, yelling out “Belly Good” from home plate.