“Pyre” (1890s)


“Pyre” (1890s)
by Charles Jay “CJ” Taylor (1855-1929)
5 x 5.75 inches, ink on board
Coppola Collection

Taylor originally studied law at Columbia University, then moved to art at the Art Students League, the National Academy of Design (with Eastman Johnson) and City College of New York, as well as in London and Paris. Taylor painted hundreds of landscape pictures in oil, which he sold to dealers and at auction. He started contributing illustrations to the New York’s Daily Graphic in 1873, and also to magazines such as Harpers, Puck and Punch.

His book ‘Taylor Girls’ gained him international acclaim. He returned to painting in the later part of his life, and spent 18 years as the head of the Painting and Decoration Department in the College of Fine Arts at the Carnegie Institute of Technology (the Carnegie Alma Mater song is his composition).

“Sincere Appeal”  


“Sincere Appeal”
by Samuel D Ehrhart (1862-1937)
9 x 9 in, ink on heavy board
Coppola Collection

American cartoonist and illustrator born in Pottsville, Pennsylvania, Ehrhart received his education in the New York City school system. Subsequently, he studied art in Munich. His work appeared in Harper’s Monthly (1878-79), Puck (1880, and 1888-1913), and Judge (1887). In 1920 and 1930 he reported his profession as artist and his birthplace as Pennsylvania to the Brooklyn, New York census-taker. He died in Brooklyn, New York on October 26, 1937.

“My Good Sir” (1880s)


“My Good Sir” (1880s)
by Samuel D Ehrhart (1862-1937)
5 x 5 in, ink on heavy board
Coppola Collection

American cartoonist and illustrator born in Pottsville, Pennsylvania, Ehrhart received his education in the New York City school system. Subsequently, he studied art in Munich. His work appeared in Harper’s Monthly (1878-79), Puck (1880, and 1888-1913), and Judge (1887). In 1920 and 1930 he reported his profession as artist and his birthplace as Pennsylvania to the Brooklyn, New York census-taker. He died in Brooklyn, New York on October 26, 1937.

“Charmed Woods”

“Charmed Woods” (1890s)
by Charles Jay “CJ” Taylor (1855-1929)
8 x 16 inches, ink on board
Coppola Collection

Taylor originally studied law at Columbia University, then moved to art at the Art Students League, the National Academy of Design (with Eastman Johnson) and City College of New York, as well as in London and Paris. Taylor painted hundreds of landscape pictures in oil, which he sold to dealers and at auction. He started contributing illustrations to the New York’s Daily Graphic in 1873, and also to magazines such as Harpers, Puck and Punch.

His book ‘Taylor Girls’ gained him international acclaim. He returned to painting in the later part of his life, and spent 18 years as the head of the Painting and Decoration Department in the College of Fine Arts at the Carnegie Institute of Technology (the Carnegie Alma Mater song is his composition).

“Polite Company”


“Polite Company” (1890s)
by Charles Jay “CJ” Taylor (1855-1929)
10 x 13 inches, ink on board
Coppola Collection

Taylor originally studied law at Columbia University, then moved to art at the Art Students League, the National Academy of Design (with Eastman Johnson) and City College of New York, as well as in London and Paris. Taylor painted hundreds of landscape pictures in oil, which he sold to dealers and at auction. He started contributing illustrations to the New York’s Daily Graphic in 1873, and also to magazines such as Harpers, Puck and Punch.

His book ‘Taylor Girls’ gained him international acclaim. He returned to painting in the later part of his life, and spent 18 years as the head of the Painting and Decoration Department in the College of Fine Arts at the Carnegie Institute of Technology (the Carnegie Alma Mater song is his composition).

“The Tearoom Diners”


“The Tearoom Diners” (Among Us Mortals, 10/8/1950)
by W.E. (William Ely) Hill (1887-1962)
18.5 x 15 in., ink on board
Coppola Collection

W.E. (William Ely) Hill (1887-1962) was known for his masterful black and white Sunday page, “Among Us Mortals,” sometimes referred to as the Hill Page. Please see the Gallery description for more about Hill.

From this October 8, 1950 edition, titled “The Tearoom Diner” some quotes:

“ “Is ten cents enough to tip? You know she never did bring us the extra butter we asked for.” “

“This is one of those intimate tearooms where the tables are so close that every nearby conversation can be overheard distinctly, and enjoyed by all. The stylish stout in the center is telling about poor Uncle Pete, who went to the refrigerator for some beer, and drank a bottle of benzine that happened to be there my mistake. The boys at the left are entranced.”

 

“Family Service”

“Family Service” (1880s)
by Samuel D Ehrhart (1862-1937)
4 x 5 in, ink on heavy board
Coppola Collection

American cartoonist and illustrator born in Pottsville, Pennsylvania, Ehrhart received his education in the New York City school system. Subsequently, he studied art in Munich. His work appeared in Harper’s Monthly (1878-79), Puck (1880, and 1888-1913), and Judge (1887). In 1920 and 1930 he reported his profession as artist and his birthplace as Pennsylvania to the Brooklyn, New York census-taker. He died in Brooklyn, New York on October 26, 1937.

“Dog Owner Blues”


“Dog Owner Blues” (Among Us Mortals, 05/18/1950)
by W.E. (William Ely) Hill (1887-1962)
18.5 x 15 in., ink on board
Coppola Collection

W.E. (William Ely) Hill (1887-1962) was known for his masterful black and white Sunday page, “Among Us Mortals,” sometimes referred to as the Hill Page. Please see the Gallery description for more about Hill.

From this May 18, 1950 edition, titled “Dog Owner Blues” some quotes:

“ ”Your dog Tags has such beautiful eyes.” This is always a safe remark when something pleasant has to be said about a pet dog. (The owners are flattered, but not Tags. He knows these people don’t mean it.”

“ ‘The only person Margot seems to dislike is our laundryman, and she’s nipped him twice. I tell him it’s his own fault. If he wouldn’t let her see that he’s afraid of her, she wouldn’t bite him.” Dog-walkers have lots to talk over.’

“A Big Catch”

“A Big Catch” (parts 1 & 2)
by Samuel D Ehrhart (1862-1937)
each 7 x 11 in, ink on heavy board
Coppola Collection

American cartoonist and illustrator born in Pottsville, Pennsylvania, Ehrhart received his education in the New York City school system. Subsequently, he studied art in Munich. His work appeared in Harper’s Monthly (1878-79), Puck (1880, and 1888-1913), and Judge (1887). In 1920 and 1930 he reported his profession as artist and his birthplace as Pennsylvania to the Brooklyn, New York census-taker. He died in Brooklyn, New York on October 26, 1937.

“Moose Call”

“Moose Call” (1890s)
by Charles Jay “CJ” Taylor (1855-1929)
6.25 x 7 inches, ink on board
Coppola Collection

Taylor originally studied law at Columbia University, then moved to art at the Art Students League, the National Academy of Design (with Eastman Johnson) and City College of New York, as well as in London and Paris. Taylor painted hundreds of landscape pictures in oil, which he sold to dealers and at auction. He started contributing illustrations to the New York’s Daily Graphic in 1873, and also to magazines such as Harpers, Puck and Punch.

His book ‘Taylor Girls’ gained him international acclaim. He returned to painting in the later part of his life, and spent 18 years as the head of the Painting and Decoration Department in the College of Fine Arts at the Carnegie Institute of Technology (the Carnegie Alma Mater song is his composition).